
Frankie Huang
Writer and Editor at Freelance
Senior Editor at The Emancipator
✨ Beijing儿 American changeling ✨ https://t.co/8ywIYI9cvm sr editor https://t.co/oDlNPB7YSj co-editor ✨ culture / food writer✨ lit rep: @lynnjohnstonlit|she/her
Articles
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6 days ago |
theemancipator.org | Frankie Huang
There are fierce debates surrounding how cultural appropriation is qualified and judged, but one thing is for certain — it is often the case that the thing that is stolen and subsequently popularized and monetized by the White cultural mainstream is subject to denigration and belittlement when it was practiced and consumed by marginalized communities.
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3 weeks ago |
theemancipator.org | Frankie Huang
As an immigrant in America, I’ve learned that criticizing the state of the union is a faux pas, an indecency. The unspoken understanding is that while we call ourselves “American,” we are and always will be guests. A good guest is gracious, generous with praise, and a delight to the host, never a burden. In effect, the acceptance we enjoy as immigrants is conditional and based upon the pleasantness of our presence and our conviction in expressing our pleasure to be here.
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1 month ago |
theemancipator.org | Frankie Huang
Social media creator Nikita Redkar’s aesthetics and delivery style are part of a satirical “bimbofication” niche exemplified by a hyperbolic, hyper-feminized performance of being hot and dumb. Think Elle Woods from “Legally Blonde” or Ziwe Fumudoh, whose personas turn negative feminine stereotypes on their heads while looking fabulous.
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1 month ago |
theemancipator.org | Frankie Huang
On the campaign trail, Donald Trump vowed “mass deportations.” As president, he unleashed Immigration and Customs Enforcement (ICE) on cities with dense and racially diverse migrant populations to round up anyone suspected of breaking laws. Black and Brown people — a number of them in the country legally — have been recklessly profiled.
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2 months ago |
theemancipator.org | Frankie Huang
Women of color are often forced to navigate hostile environments in which their humor and mirth are scrutinized through sexist and racist lenses. Historically, this meant compromising either mass appeal or genuine expression. Jackie “Moms” Mabley, the trailblazing female Black comedian born at the tail end of the 19th century, delivered jokes on edgier matters by packaging her on-stage persona into a nonthreatening bedraggled granny in a floppy hat.
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