
Freddie Deighton
News Editor at Filmhounds
Founder of https://t.co/1lyvIflSXZ | @FilmCriticsUK Member | “London’s Authority on Batman” | @TheBRITSchool alumni | Winner of BBC’s Pointless
Articles
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1 week ago |
letterboxd.com | Freddie Deighton |Danny Boyle
28 Years Later ★★★★½ I’ve seen worse films about Brexit.
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3 weeks ago |
letterboxd.com | Freddie Deighton |Len Wiseman
★★½ Decent action that climaxes in a pretty cool third act but it’s not supported by its story or script.
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3 weeks ago |
filmhounds.co.uk | Freddie Deighton
The 1980s seem to have an unfair advantage when it comes to cult classics – it's a decade filled to the brim with films that define their genres and revolutionised cinematic storytelling to get us to where we are today. However, when you think of the classics, films like Footloose, Robocop, Blade Runner and (of course, the most relevant to this review) Dirty Dancing spring to mind. Road House hasn't had quite the same cultural impact as some of its brethren in the decade.
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1 month ago |
letterboxd.com | Freddie Deighton |Wes Anderson
★★★½ Typically for Wes Anderson, this is beautifully filmed with charming nods to the golden age of Hollywood and the Silent Film era.
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1 month ago |
filmhounds.co.uk | Freddie Deighton
Through the eyes of the youngest member of the family, Sandro (Edoardo Nevola), The Railroad Man (alternatively titled Man of Iron) depicts the dramatic deterioration of the Marcoccis, a working class family living in an estate in Rome. The patriarch, Andrea (Pietro Germi, who also writes and directs), works as a train driver travelling across northern Italy.
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