
Articles
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1 week ago |
thesaturdaypaper.com.au | Gabriella Coslovich
Scientists warned the Tasmanian government of the risk of catastrophic disease-related fish deaths across the state’s salmon farms as early as 2017, noting the biosecurity standards governing the industry needed to be significantly increased. Instead of boosting biosecurity, however, the government, under pressure from the salmon industry, weakened several standards and provided many exemptions to the new biosecurity program introduced in 2023.
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2 weeks ago |
thesaturdaypaper.com.au | Gabriella Coslovich
On January 16, seven weeks before it was revealed thousands of tonnes of fish had died in Tasmania’s salmon leases, the state’s chief veterinary officer quietly downgraded the biosecurity risk of Piscirickettsia salmonis, the bacteria killing the fish, from a “prohibited matter” to a “declared animal disease”.
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Jan 24, 2025 |
smh.com.au | Gabriella Coslovich
Rich dilettante or clever campaigner? Kirsha Kaechele, aka Mrs David Walsh, is perhaps a bit of both. And thanks to the storm around the Mona Ladies Lounge and her work with the forestry industry, her profile is now rivalling his. , register or subscribe to save articles for later. Add articles to your saved list and come back to them any time. This story is part of the January 25 edition of Good Weekend.See all 13 stories.
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Jan 24, 2025 |
watoday.com.au | Gabriella Coslovich
Exponential Interactive, Inc d/b/a VDX.tvCookie duration: 90 (days). Data collected and processed: IP addresses, Device identifiers, Probabilistic identifiers, Browsing and interaction data, Non-precise location data, Users’ profiles, Privacy choicesmoreCookie duration resets each session. View details | Privacy policyConsentCookie duration: 365 (days).
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Nov 29, 2024 |
smh.com.au | Gabriella Coslovich
, register or subscribe to save articles for later. Add articles to your saved list and come back to them any time. In her decades-long international career, Chinese artist Cao Fei has never had an exhibition as personal as her new show at the Art Gallery of NSW. In it, she explores an aspect of her family history that she hasn’t addressed in her art until now: the migration of her oldest sister, Xiaoyun, from Guangzhou to Sydney in 1998.
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