Articles

  • 2 days ago | digitalcameraworld.com | Gareth Bevan

    Panasonic is continuing to expand its L-Mount lens lineup with the new Lumix S 24-60mm f/2.8 – a fresh take on the standard 24-70mm zoom lens, shaving 10mm off the tele end for an overall smaller and lighter optic.

  • 2 days ago | digitalcameraworld.com | Gareth Bevan

    When it rains, it pours! Panasonic is treating us to not one but two new cameras in its full-frame S lineup (and a new 24-60mm f/2.8 lens), with an upgraded flagship Panasonic Lumix S1II (featuring Panasonic’s first partially stacked sensor) and mid-tier Lumix S1IIE with killer video specs for an affordable price.

  • 1 week ago | digitalcameraworld.com | Gareth Bevan

    Harman, the company behind the popular Ilford and Kentmere film brands, has pulled the wrapper off Kentmere Pan 200 – an all-new ISO200 black-and-white emulsion aimed squarely at shooters who crave punchy tones without punishing their wallets. At ISO200, Kentmere’s latest sits in that Goldilocks sensitivity zone – fast enough for handheld street work, fine-grained enough for detailed work and enlargements.

  • 3 weeks ago | digitalcameraworld.com | Gareth Bevan

    Adobe has pulled the wraps off the next generation of its Firefly generative AI, revealing a pair of new image models and an all-in-one mobile app that promises to take creators from prompt to publish on the fly. The headline act is Firefly Image Model 4, pitched as a rapid-ideation engine for “everyday creative needs”.

  • 3 weeks ago | digitalcameraworld.com | Gareth Bevan

    At Adobe Max 2025 in London, England today, Adobe previewed the comprehensive Creative Cloud updates coming over the next few weeks and months. Predictably, most of the updates focus on adding Adobe’s Firefly AI models throughout, offering up new opportunities to introduce generative AI into workflows. There are also some AI-driven quality of life improvements, helping to shave precious time off routine edits.