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Gary Naylor

London

Writer at Freelance

Reviewer at BroadwayWorld

ProjectManager by profession/Increasing brand sales through on-page SEO strategies. Building Web3, one link at a time Manager of 73+ successful projects.

Articles

  • 6 days ago | broadwayworld.com | Gary Naylor

    Richard Burton was that rarest of beasts - a British actor equally acclaimed on stage and screen, a bona fide Hollywood star and an A list celebrity who lived pretty much the whole of his adult life in the glare of the paparazzi’s flashbulbs. Like so many who flew that close to so bright a sun, he was downed by the booze at the young age of 58.

  • 1 week ago | theartsdesk.com | Gary Naylor

    A single sofa is all we have on stage to attract our eye - the signifier of intimate family evenings, chummy breakfast TV and, more recently, Graham Norton’s bonhomie. Until you catch proper sight of the room’s walls that is, which are not, as you first thought, Duluxed in a bland magnolia shade, nor even panelled with upmarket modernist abstract paintings, befitting of the whiff of wealth that suffuses the space.

  • 1 week ago | broadwayworld.com | Gary Naylor

    Get Access To Every Broadway StoryUnlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. Email:Existing user? Just click login. In an increasingly hostile environment for emerging theatremakers, Theatre503 continues to do the vital work of staging new plays by new creatives, showcasing voices that might not be heard other than buried beneath the cacophony of a festival.

  • 1 week ago | theguardian.com | Gary Naylor

    Ball one: Shakespeare’s county puts on showEthan Bamber knows a bit about drama (he is the son of Olivier Award-winning actor David Bamber), so it was no surprise that he finished a thrilling chase with a theatrical six. His 30 not out for Warwickshire against Durham was hardly a bit part, but it was a match in which there were 22 starring roles, county cricket delivering its unique storylines across not three acts, but four days.

  • 1 week ago | theartsdesk.com | Gary Naylor

    It seems a bizarre idea. Take a pivotal film in American culture that reset the perception of The Great American Dream at this, obviously, pivotal moment in American culture in which The Great American Dream, for millions, is being literally swiped away at gunpoint, And… make it into a musical?

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