
Geoff Dyer
Editor at Financial Times
FT Big Read editor, ex foreign correspondent in China, Brazil and the US. Author of 'Contest of the Century'.
Articles
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2 weeks ago |
nytimes.com | Geoff Dyer
In a new memoir, Geoff Dyer reflects how seemingly trivial moments and objects of childhood end up playing an outsize role in our lives.
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3 weeks ago |
theguardian.com | Geoff Dyer
My earliest reading memory Beatrix Potter when I was having my tonsils out. No point saying how much I loved her books because everyone does, but Roberto Calasso makes a brilliant point in The Celestial Hunter by pairing “two great moments in the Victorian age” when Darwin “linked human beings to primates” and Potter “distributed human behaviour among a certain number of small domestic and rural animals”. My favourite book growing up The Guns of Navarone.
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1 month ago |
spectator.com.au | Geoff Dyer
Mission: Impossible – The Final Reckoning15, Nationwide You have to time your arrival at cinemas carefully if you want to avoid the high-volume, rapid-fire edits of trailers for upcoming mind-rot. That’s conceptually impossible with Mission: Impossible – The Final Reckoning. The first half an hour is a debrief in the form of an extended trailer of highlights from previous missions.
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1 month ago |
spectator.co.uk | Geoff Dyer
You have to time your arrival at cinemas carefully if you want to avoid the high-volume, rapid-fire edits of trailers for upcoming mind-rot. That’s conceptually impossible with Mission: Impossible – The Final Reckoning. The first half an hour is a debrief in the form of an extended trailer of highlights from previous missions. At one point during this hyper-extended prelude Tom Cruise and a pal sneak into a disused London tunnel, as if to an underground club.
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1 month ago |
observer.co.uk | Geoff Dyer
In extracts from his new memoir, writer Geoff Dyer describes what it was like growing up… as Geoff Dyer Family photographs courtesy of Geoff DyerWhen I say, truthfully, that I have no memory of the picture being taken I’m conscious that this is meaningless because, of course, the photograph is memory. I have no idea who took the picture.
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