
Grace Byron
Contributor at Freelance
Author at Screen Slate
Words: @thecut @bookforum @voguemagazine @friezeofficial @lareviewofbooks Debut novel Herculine forthcoming from @sagapressbooks Rep: Julia Masnik
Articles
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4 weeks ago |
documentjournal.com | Grace Byron
Between Guerrilla Girls activism and lyrical abstraction, Stevens's art, currently exhibited At Mary Ryan Gallery and Ryan Lee Gallery, reveals multiple paths for feminist expression The identity of the original Guerrilla Girls is still a hushed secret. An anonymous activist group that formed in 1985 to protest the lack of mainstream representation for women artists and is still active today, only a few members’ names are known—including the beguiling painter May Stevens (1924-2019).
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4 weeks ago |
thenation.com | Grace Byron
Books & the Arts / March 27, 2025 Feminism Against ItselfSophie Lewis proposes a reparative history in Enemy Feminisms that grapples with the ways the movement has harbored prejudices and abetted wrongdoing. Ad Policy (Vice Leaman) Every institution is prone to rot—even great causes like feminism.
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1 month ago |
thecut.com | Grace Byron
Photo-Illustration: by The Cut; Photo: Ian Stearns Jamie Hood’s new book, Trauma Plot, flips the confessional memoir on its head. In her piercing account of learning to live in a world defined by sexual violence, Hood weaves her personal story with analysis of the way the “rape survivor” has been flattened into a cultural archetype: a tragic woman doomed to carry the weight of society’s ills.
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1 month ago |
bookmarks.reviews | Grace Byron
“Theft, the first novel Gurnah has published since winning the Nobel, offers an example of such compassionate, revelatory seeing. Even the structure of this story works against the hierarchical nature of plot—that common sense that this character is central and those merely peripheral. There’s something almost disorienting about Gurnah’s narrative as he moves from one person to the next, willfully thwarting our desire to settle on a protagonist.
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1 month ago |
bombmagazine.org | Grace Byron
The characters in Barbara, Joni Murphy’s third novel, don’t eat. Not really. They drink coffee and wine, smoke cigarettes, and order dessert. They float through the 1950s and ’60s.
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