Articles

  • 1 week ago | culturedmag.com | Gracie Hadland

    An early summer scene on the Rhine. All photos courtesy of Gracie Hadland. I was determined to not spend a cent while in Basel. I left the buying and selling to everyone else. Except for a tube of toothpaste (1.20 CHF), cigarettes (Parisiennes, 9 CHF), a cab back to the hotel when the train stopped (15 CHF), and a beer when the open bar closed but the party was still going (6 CHF), I was pretty successful.

  • 1 week ago | culturedmag.com | Gracie Hadland

    Still from Martha Atienza's “TARING KAONGKGOD” series, 2019. Image courtesy of the artist and Silverlens. Basel is divided by the river Rhine, which cleaves the Swiss city’s historic side from the bustle of its modern-day center. The left bank is where Art Basel’s Parcours section, the fair’s free public offering, began exhibiting last year.

  • Mar 26, 2025 | flash---art.com | Gracie Hadland

    In the 1952 musical classic Singin’ in the Rain, there’s a moment when Donald O’Connor’s character, Cosmo Brown, tries to cheer up his friend Don Lockwood (Gene Kelly) by launching into the high-energy number “Make ’Em Laugh.” As Cosmo moves through a soundstage filled with discarded set pieces, he transforms the space through physical comedy — bouncing off walls, flipping over furniture, and revealing the artifice of the scenery.

  • Mar 24, 2025 | thenation.com | Gracie Hadland

    Books & the Arts / March 24, 2025 The Art of Separating: A Conversation With Haley MlotekThe Nation spoke with the author No Fault, a genre-bending examination of marriage and divorce that is one-part cultural history and one-part memoir. Ad Policy (Photo by Rebecca Storm)Marriage isn’t what it used to be; neither is divorce. In the not-so-distant past, marriage meant a lifelong commitment—one that, if broken, would be followed by social disgrace.

  • Mar 17, 2025 | artillerymag.com | Emma Christ |Gracie Hadland

    The artist died during the run of her exhibition, just a few days before the new year. It is fitting given that Pippa Garner used her body as a sort of extended art project, something she worked on for years—altering it with surgeries, tattoos and piercings. The greatest work of the show may be that which was not on the checklist: She attended her own opening just a few weeks before her death and laid down on a cot dressed as a stuffed animal.