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Graham Watts

London

Dance Writer and Critic at Freelance

Dance Writer/Critic/Influencer. Chair of Critics' Circle Dance Section & National Dance Awards. Ballet Icon Award 2024. OBE since 2008

Articles

  • 1 week ago | gramilano.com | Graham Watts

    TitleEMERGENCE CompanyJoss Arnott DanceVenueThe Place, LondonDate12 June 2025ReviewerGraham WattsEvery now and again, dance comes along that knocks me sideways with its freshness and introduces me to something entirely new.

  • 1 week ago | gramilano.com | Graham Watts

    TitlePINEDA. Romance popular en tres estampas. CompanyBallet Flamenco de AndalucíaVenueSadler’s Wells, LondonDate6 June 2025ReviewerGraham WattsA good friend and fellow flamenco aficionado told me that she had seen PINEDA one evening in a beautiful outdoor theatre in Granada’s Alhambra fortress and that it had been magical. For me, in this enclosed proscenium theatre setting, that magic was not so evident.

  • 2 weeks ago | bachtrack.com | Graham Watts

    Ballet Nights 008 – Spring into Summer was a well-curated mix of new work, work new to the UK and interesting legacy pieces that are rarely seen, adding up to an unusual and mostly fascinating hotchpotch of dance.

  • 3 weeks ago | gramilano.com | Graham Watts

    Romancero del Baile Flamenco ★★★★★ Title Romancero del Baile Flamenco Company Compañía Mercedes Ruiz Venue Sadler’s Wells, London Date 3 June 2025 Reviewer Graham Watts Following on from the contrasting but nonetheless equally theatrical shows of Sara Baras (Vuela) and Manuel Liñán (Muerte de Amor), which opened the main stage performances of this year’s London Flamenco Festival, Mercedes Ruiz brought flamenco back to its roots in a show, which elevated the concept of a tablao (the...

  • 3 weeks ago | bachtrack.com | Graham Watts

    After opening with performances, on six consecutive days, of Vuela by Ballet Flamenco Sara Baras, the second Sadler's Wells main stage feature of the London Flamenco Festival was Manuel Liñán’s Muerta de Amor. Frankly, festival director Miguel Marin could not have offered two shows of greater contrast in these polar opposites by two of the most popular names on the global flamenco scene.

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