Gustav Klimt

Jan 24, 2025 | missourireview.com | Gustav Klimt

“How to Date a Feminist” by Shannon Cain Shannon Cain’s “How to Date a Feminist” is a reconnaissance transmission from the world of online dating for women over fifty living in Paris. First featured in TMR 47.3, Cain’s essay bears witness to the difficulty of finding feminist love while holding out for its eventual fruition.

Jan 7, 2025 | mutualart.com | Jean-Michel Basquiat |Gustav Klimt |Claude Monet |Ed Ruscha

The art world reached new heights in 2024, with breathtaking auction sales showcasing masterpieces from a variety of artistic movements and eras. Ed Ruscha’s Standard Station, Ten-Cent Western Being Torn in Half led the pack with a record-breaking $68.2 million at Christie’s, symbolizing the evolution of American culture from the Wild West to modern industrialism.

Aug 22, 2024 | artuk.org | Gustav Klimt

Embroidery, paintings, installations, collections of baby dolls and household ephemera, costumes, masks, films and words: the art of Delaine Le Bas (b.1965) swallows up genres and spits them out whole in a unique commentary on femininity, childhood, Romani heritage, prejudice and our relationship with nature.

Jul 28, 2023 | adsmith.news | Gustav Klimt

Every Friday, Artnet News Pro members get exclusive access to the Back Room, our lively recap funneling only the week’s must-know intel into a nimble read you’ll actually enjoy. This week in the Back Room: Larry’s life and legacy, Zwirner on Zwirner, cultural infrastructure accounting, and much more—all in a 7-minute read (2,084 words).

Jul 28, 2023 | adsmith.news | Gustav Klimt

This weekend, listen to a collection of articles from around The New York Times, read aloud by the reporters who wrote them. Written and narrated by Zachary Woolfe“He has created an entirely new phase of musical art and has produced a thoroughly American opera.”The anonymous critic who wrote these bold words didn’t have a performance of Scott Joplin’s “Treemonisha” to evaluate, or a recording. In June 1911, all the reviewer had to go on was Joplin’s 230-page piano-vocal score.