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Han Zhang

New York

Editorial Staff at The New Yorker

Articles

  • 1 month ago | tandfonline.com | Han Zhang |Mik Fanguy |Matthew Courtney |Matthew Baldwin

    ?Mathematical formulae have been encoded as MathML and are displayed in this HTML version using MathJax in order to improve their display. Uncheck the box to turn MathJax off. This feature requires Javascript. Click on a formula to zoom.

  • Oct 2, 2024 | newyorker.com | Han Zhang

    As a nineties kid who grew up drinking bubble tea, I long ago wrote the drink off as a cheap indulgence, whose satisfying sugar rush quickly metabolizes into lingering regret. That changed last fall, when I visited China for the first time in years and encountered the country’s new generation of milk-tea chains—establishments that sell not only beverages but also imagined worlds.

  • Jun 11, 2024 | newyorker.com | Han Zhang

    On October 13, 2022, more than two years into China’s totalizing COVID lockdowns, a man wearing a yellow helmet stood on the Sitong Bridge, an expressway overpass in downtown Beijing, and unfurled two oversized white banners. He then set fire to something that created a plume of dark, dense smoke. Below, stunned drivers and pedestrians stopped to read and to take photos of the scene.

  • Dec 26, 2023 | newyorker.com | Han Zhang

    Ypi studies political definitions of freedom, and lockdown gave her ideas new weight. The privations of the early pandemic brought back memories of her childhood in Communist Albania. Ypi found some irony in the fact that, in Western Europe, the heartland of liberal democracy, individual autonomy was being restricted in the name of social good.

  • Oct 27, 2023 | newyorker.com | Han Zhang

    The encounter between Miller and the members of Beijing Renyi is the subject of a new play at the Connelly Theatre, in the East Village, “Salesman之死,” by Jeremy Tiang. As the title hints—pronounced “Salesman zhīsǐ,” it simply means “death of a salesman”—the play flows bilingually back and forth between Mandarin and English. It is surtitled in both languages, and all the roles, including that of Miller himself, are played by a cast of six Asian women, five of whom are Chinese-speaking immigrants.

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