
Hannah Martin
Senior Design Editor at Architectural Digest
collector of pennies, stories and displaced odds and ends
Articles
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1 week ago |
ad-magazin.de | Hannah Martin
Kyoto auf 53 Quadratmetern: In einem schmalen Gässchen von Nishijin liegt ein Machiya, das noch Geschichten erzählt – von Seide, Feuerstellen und dem Mut, Alt und Neu zu verbinden. Das Taxi hält, obwohl unser Ziel noch nicht erreicht ist: Die letzten Meter muss man gehen. Dieses traditionelle Machiya, so nennt man die historischen, aus Holzbalken und Lehmmauern konstruierten Stadthäuser in Japan, liegt im Bezirk Nishijin – in einer Fußgängerzone.
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2 weeks ago |
ad-italia.it | Hannah Martin |Yoshihiro Makino
Una casa a Kyoto intreccia memoria, design e vita quotidiana. Con il taxi si arriva fino a un certo punto, poi per raggiungere questa machiya tradizionale, nascosta alla fine di un incrocio a T in una strada pedonale nel quartiere Nishijin di Kyoto, si prosegue a piedi. E a mano a mano che ci si avvicina, in una fredda sera di gennaio, la casa sprigiona tutta la sua magia prima ancora di entrare. Irradia un caldo bagliore, e la facciata in legno offre uno scorcio fugace dei residenti.
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3 weeks ago |
belfasttelegraph.co.uk | Hannah Martin
It is important that we consider the potential impacts of recent events but also look for new opportunities for the NI economyThe first few months of this year have certainly been very noisy, with the news dominated by unravelling global trade conditions, including US tariffs, retaliatory tariffs and a sharp reaction across global markets. Closer to home, UK fiscal challenges including higher government borrowing costs have increased the extent of uncertainty around future economic policy.
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1 month ago |
architecturaldigest.com | Hannah Martin
“I didn’t want to offend Gaudí’s spirit,” said the late German industrial designer Ingo Maurer, when he was commissioned, in 1997, to dream up a light for Casa Botines, a fortress-like 1890s building in León, Spain, by Modernism master Antoni Gaudí. He had a solution: “Another floating ribbon! I chose the color gold because it seemed to me the most suitable for the materialization of light.
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1 month ago |
architecturaldigest.com | Hannah Martin |Amy Lombard
All products featured on Architectural Digest are independently selected by our editors. However, we may receive compensation from retailers and/or from purchases of products through these links. Raphael Martinez Cohen and Ryan Bush’s basement studio in Maspeth, Queens, feels a bit like a grotto, with shimmering panels propped up against subterranean walls.
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