-
1 week ago | 
itsnicethat.com | Harry Bennett
“A typical self-initiated design project starts with experimentation,” says the multidisciplinary graphic designer and art director Sandrine Cheong.
-
1 week ago | 
itsnicethat.com | Harry Bennett
Crafted for her newborn son, the designer and art director Elena Saharova has launched See and Grow, a card game that helps build and develop visual perception skills for babies. The project arose after Elena became interested in how newborns observe the world, and how early cognitive and sensory development is supported through visual stimulation. “At an early stage, babies perceive the world as abstract shapes and contrasts rather than recognisable objects,” Elena explains.
-
1 week ago | 
itsnicethat.com | Harry Bennett
“Where most have a founding father, Diana’s has a founding mother,” Wedge’s chief design officer, Justin Lortie, says. This fact became the overarching creative concept behind the studio’s rebrand of Diana, that being: The Mother of Seafood. “That difference became our opportunity to create a brand with an insatiable energy, ferocious care, sense of nourishment, and beautiful vibrancy that only a mother can give,” Justin says.
-
2 weeks ago | 
itsnicethat.com | Harry Bennett
Acting as the ever-so satisfying (and undeniably impressive) antidote to the domination of AI imagery and video, BritBox’s latest campaign, See It Differently, offers a refreshing return to traditional filmmaking. Celebrating craftsmanship at its very core, the ambitious project was created by global creative studio Uncommon in collaboration with London-based production studio Blinkink and stop-motion director Nicos Livesey.
-
2 weeks ago | 
itsnicethat.com | Harry Bennett
In recent years, NYC-based graphic designer James Anderson has become even more deliberate, consciously developing (and maintaining) an active design philosophy – a distinctive combination of research, intuition and, as James puts it, a little bit of self-indulgence.
-
2 weeks ago | 
itsnicethat.com | Harry Bennett
If there’s one thing that’s most important to the team at Creech, it’s creating a simple creative platform for all of its projects. This approach was no exception when it came to the creative studio’s new identity for the industry-challenging fishing brand, Seremoni.
-
2 weeks ago | 
itsnicethat.com | Harry Bennett
Universal Favourite has rebranded Saintly, previously named FOHM, in a complete visual overhaul. In wiping the slate clean, so to speak, the Sydney-based design studio strategically and aesthetically realigned the wet wipe alternative brand for a younger and more creative audience, distancing the product from its sanitary context for an altogether more playful tone.
-
3 weeks ago | 
itsnicethat.com | Harry Bennett
The animator and motion designer James Willan has a very distinctive analogue practice, one he’s been nurturing since childhood. “My journey started from a young age making stop-motion clay animations using my phone,” James says. He drew from his environment growing up to create all sorts of monsters. “Later, when beginning my 3D illustrations and animations,” he says, “I would work with clay and then mix that with 2D elements,” before switching to an altogether more contemporary approach.
-
3 weeks ago | 
itsnicethat.com | Harry Bennett
Piotr Woronkowicz has officially joined Pentagram as a partner, marking the first time the New York office has appointed someone with a dedicated focus on product and industrial design. It’s a significant milestone, not just for the international design studio, but for what it represents: a growing demand for design that considers the entire lifecycle of an object, from sketch to shelf to disposal.
-
3 weeks ago | 
itsnicethat.com | Harry Bennett
Athletics has created the visual identity for Gallery of Contemporary Art (GOCA), a new gallery in New York dedicated to emerging Asian artists – an underrepresented demographic in art spaces in the city. “The brand identity for GOCA is designed to bridge cultural divides,” senior designer Sebastian Páez Delvasto says.
