Harry Burke

Nov 7, 2024 | documentjournal.com | Harry Burke

For its Fall/Winter 2024–25 issue, Document Journal travels to Bali to trace the legacies and futures of hospitality and design By the 1930s, German painter Walter Spies had moved from the Javanese city of Yogyakarta, where he conducted orchestras in the sultan’s palace, to Ubud, a village in Bali’s dense, shaded uplands.

Jul 19, 2024 | frieze.com | Harry Burke

‘Water Resistance’ is Ade Darmawan’s first show in Indonesia in 12 years. Spanning Cemeti – Institute for Art and Society in Yogyakarta and ROH Projects in Jakarta, where Darmawan is based, the two-venue exhibition spotlights an artist perhaps best known as a member of the collective ruangrupa (est. 2000).

Jun 6, 2024 | e-flux.com | Harry Burke |Carina Bukuts |Sonia Fernández Pan |Mistura Allison

Get Mousse #88 or subscribe. Join our newsletter. Editorial: Dear readers, do you sometimes read poems? Then again, who says that poetry should (only) be read? Like John Giorno, we focus on the powers of the human voice, performed as spoken word, recorded, broadcasted, reverberated. Alexis Pauline Gumbs, in her upcoming biography of Audre Lorde, speaks of “survival poetics.” Poetics and politics cross paths, as we hope our pages will likewise do.

Nov 17, 2023 | frieze.com | Harry Burke

‘What does the baby see when he or she looks at the mother’s face?’ asked British psychoanalyst Donald Winnicott in his influential paper ‘Mirror-role of Mother and Family in Child Development’ (1967). ‘Ordinarily,’ he went on to explain, ‘what the baby sees is himself or herself.’ Known as mirroring, this trust-building process positions us, from our earliest experiences, as relational beings.

Oct 25, 2023 | spikeartmagazine.com | Harry Burke

At what BPM does the soul vibrate? The first EP from X-TRA.SERVICES founder Lydo emblematizes how raving against climax is changing the tempo of New York nightlife. When I dance, I love to respond to changes in the bassline, dipping a shoulder or raising a finger as a DJ breaks new rhythmic ground. In Lydo’s sets, transitions often catch me out. A beat will slide into the mix some steps before or after the obvious drop, and a darting, celestial melody will float in a few-and-a-half bars later.