hasan beyaz

2 weeks ago | euphoriazine.com | hasan beyaz

The K-pop machine is built for velocity – comeback after comeback, relentless visuals, the constant churn of reinvention – but PLEASURE, TREASURE’s latest release and their first so-called “special mini album,” doesn’t move like that. It lingers and breathes, wrapping itself around the listener like sunlight on skin. For a group known for explosive title tracks and laser-cut choreography, PLEASURE feels like a purposeful shift in emotional gear.

3 weeks ago | tmrwmagazine.com | hasan beyaz

Even visually, the duality is there. The structured, tailored suits of the opening act give way to flowing shirts and tight-fitted tees, before shifting again into something looser, more lived-in. It mirrors the energy of the setlist: sharp when it needs to be, unrestrained when it matters. Interestingly, the group spent a significant portion of the night on the extended stage, keeping themselves at the heart of the audience rather than towering above them.

1 month ago | shebops.net | hasan beyaz

March 21, 2025 1 Min Read Lithuanian powerhouse Jazzu is stepping into a bold new era with “Welcome,” a sultry, immersive track that pulses with raw emotion and hypnotic allure. A masterclass in seduction, the song delves into the tension between vulnerability and control, culminating in a euphoric release as she sings, “We’re heading for nirvana, and we’re moving at the speed of sound.”Visually, “Welcome” is just as striking.

1 month ago | shebops.net | hasan beyaz

March 21, 2025 1 Min Read Leah Kate isn’t one to shy away from emotional wreckage. The RIAA-certified Platinum artist has built a career on turning heartbreak into high-voltage anthems, and her latest single, Just Because, is no exception. Out now, the track kicks off 2025 with a gut-punch of raw emotion, proving once again why Leah remains one of pop’s most compelling voices.

2 months ago | euphoriazine.com | hasan beyaz

PSYCHIC FEVER moves differently. Where most J-pop groups are content staying within the borders of Japan’s airtight industry, PSYCHIC FEVER has spent the last year embedding themselves in new territories, absorbing sounds, and recalibrating their approach. There’s a hunger to what they do, a sharp awareness that the rules J-pop has followed for decades don’t have to apply to them. It’s easy to forget that before K-pop dominated global conversations, Japan laid the foundation.