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Hatice Aşkın

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  • Jan 14, 2025 | cineuropa.org | Hatice Aşkın

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  • Nov 17, 2024 | dmovies.org | Joshua Polanski |Oliver Hirschbiegel |Albert Oehlen |Hatice Aşkın

    QUICK AND DIRTY: LIVE FROM TALLINNF[/dropcapatso (Andris Keišs) lives a terribly unhappy life. He lives alone in his mobile home crypto-trading on his computer with a strange podcast on the pursuit of immortality running in the background. He dresses as if leaving his home never crosses his mind, and the show he fanboys for is predictably unpredictable conspiracy junk.

  • Nov 17, 2024 | dmovies.org | Anton Bitel |Hatice Aşkın |Boris Guts

    QUICK AND DIRTY: LIVE FROM TALLINNEvery artist’s biopic tries to bring the artist to life. Oliver Hirschbiegel and Albert Oehlen’s Yellow starts ordinarily enough, panning across a summery meadow to Vincent van Gogh (Ben Becker) standing at his canvas and painting what he sees (but we do not) in bold, broad, chaotic strokes, even as some joker (also unseen) takes a potshot at his water jar.

  • Nov 17, 2024 | dmovies.org | Anton Bitel |Boris Guts |Nir Bergman |Hatice Aşkın

    QUICK AND DIRTY: LIVE FROM TALLINNDo they believe that there will be an end, or that there won’t be one? And what will there be after the end?”These questions, posed by Ilmārs Tīrmanis to Anna Ginteri about her colleagues in astronomy, are the very same questions which director Māris Maskalāns is asking in his documentary The End. Maskalāns may be a keen observer of eschatological issues, but then so are his subjects.

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