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1 month ago | 
dance-enthusiast.com | Henning Rübsam
Features > Impressions The Dance Enthusiast's Brand of Review/Thoughts on What We See Dancers: Manuco Firmani, Nicolás Minoliti, Ulises Garca, Milagros Rolandelli, Marcela Vespasiano Musicians: Emiliano Greco (piano & musical direction), Matías Grande (violin), Lautaro Greco (bandoneon), Matías Tozzola (guitar), Manuel Gómez (double bass) Creation and choreography: Grupo noestango (Lisandro Eberle, Ollantay Rojas, Milagros Rolandelli) Direction: Ollantay Rojas TANGO AFTER DARK- The Joyce...
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Dec 5, 2024 | 
dance-enthusiast.com | Henning Rübsam |Annmaria Mazzini
Features > Impressions The Dance Enthusiast's Brand of Review/Thoughts on What We See
A slide projection on the white sheet that serves as a backdrop features a woman looking at the sea, and includes close-ups of droplets falling into liquid.
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Dec 5, 2024 | 
dance-enthusiast.com | Henning Rübsam
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Nov 17, 2024 | 
dance-enthusiast.com | Henning Rübsam |Hee Seo |Isaac Hernandez |Gillian Murphy
Features > Impressions The Dance Enthusiast's Brand of Review/Thoughts on What We See
Makarova, Balanchine, and Tharp. Oh My!The Kingdom of the ShadesChoreography: NATALIA MAKAROVA, after MARIUS PETIPAFifty years ago, Natalia Makarova choreographed and staged her adaptation of Marius Petipa's The Kingdom of the Shades (from La Bayadère) for American Ballet Theatre in the venue then called the New York State Theater.
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Nov 14, 2024 | 
dance-enthusiast.com | Henning Rübsam |Hee Seo |Isaac Hernandez |Gillian Murphy
Features > Impressions The Dance Enthusiast's Brand of Review/Thoughts on What We See
MAKAROVA, BALANCHINE, AND THARP. OH MY!The Kingdom of the ShadesChoreography: NATALIA MAKAROVA, after MARIUS PETIPAFifty years ago, Natalia Makarova choreographed and staged her adaptation of Marius Petipa’s The Kingdom of the Shades (from La Bayadère) for American Ballet Theatre in the venue then called the New York State Theater.
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Sep 9, 2024 | 
dance-enthusiast.com | Henning Rübsam
Features > Impressions The Dance Enthusiast's Brand of Review/Thoughts on What We See
Co-presented with OCDChinatown and made possible by The Swiss Arts Council Pro Helvetia, the Young Boy Dancing Group delivered a memorable feast for the senses at Performance Space New York, in April. From the moment I set foot in the elevator, I realized I was in for a wild ride, since two performers groped and tongued one another in the tightly confined capsule.
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Sep 9, 2024 | 
dance-enthusiast.com | Henning Rübsam
Features > Impressions The Dance Enthusiast's Brand of Review/Thoughts on What We See
Co-presented with OCDChinatown and made possible by The Swiss Arts Council Pro Helvetia, the Young Boy Dancing Group delivered a memorable feast for the senses at Performance Space New York, in April. From the moment I set foot in the elevator, I realized I was in for a wild ride, since two performers groped and tongued one another in the tightly confined capsule.
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May 28, 2024 | 
dance-enthusiast.com | Henning Rübsam
Features > Impressions The Dance Enthusiast's Brand of Review/Thoughts on What We See
David Parsons has been entertaining audiences since he joined the Paul Taylor Dance Company in 1978. He became one of its star dancers and the year after his first choreographic ensemble success with , in 1984, he founded his own company, Parsons Dance, together with the late Howell Binkley, a lighting designer and close collaborator.
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May 28, 2024 | 
dance-enthusiast.com | Henning Rübsam
Features > Impressions The Dance Enthusiast's Brand of Review/Thoughts on What We See
David Parsons has been entertaining audiences since he joined the Paul Taylor Dance Company in 1978. He became one of its star dancers and the year after his first choreographic ensemble success with , in 1984, he founded his own company, Parsons Dance, together with the late Howell Binkley, a lighting designer and close collaborator.
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Apr 25, 2024 | 
dance-enthusiast.com | Henning Rübsam
Features > Impressions The Dance Enthusiast's Brand of Review/Thoughts on What We See
When I saw Houston Ballet in "Fall for Dance" at New York City Center last October, I was impressed by the dancers’ fine technique and exuberant execution. They performed Clear by choreographer Stanton Welch, who has been the troupe’s artistic director since 2003. Now two artistic directors lead the company.
