Henry Ivry
Contributor at Freelance
Infrastructure, ecology, techno, pugs丨Reading and teaching @UofGCritStudies Bylines @ResidentAdvisor @Beatport @Bandcamp丨Promos hlivry(a)https://t.co/3PuilLK6UH
Articles
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3 days ago |
djmag.com | Henry Ivry
Big room dance music can often feel soulless. An arm’s race for harder and harder kick drums means that a lot of big room techno feels flat and unidimensional — about as interesting as thumbing through DJ Instagram Reels after Tomorrowland or Awakenings. That isn’t the case with Estella Boersma. She makes music that is tough enough for the hard techno kids, but also has real funk and depth to it. On ‘EB002’ she gets deep without ever taking her foot off the throttle.
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1 week ago |
ra.co | Henry Ivry
Clubland's resident bass scoundrel returns to his roots with a skilful reimagining of bloghouse and French touch. Bloghouse, as Lina Abascal's book Never Be Alone Again makes clear, was never really a genre but foremost a cultural attitude—a way of encountering music in the mid 2000s.
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2 weeks ago |
djmag.com | Henry Ivry
The title of Shampain’s debut EP ‘Catching Up With Myself’ feels appropriate, both musically and as a way to describe the Galway artist’s career. He’s torn through clubland for the past decade without ever releasing a record. But now he distills his irreverent approach to dance music dogma into five tracks.
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1 month ago |
ra.co | Henry Ivry
Drawing from programmatic music and Fourth World, the composer's first solo album in eight years explores the beauty in grief and the grief in beauty. As a young church organist, Kara-Lis Coverdale would often sneak 2 Chainz riffs into religious hymns. A student of juxtaposition, the Canadian artist loves pairing unexpected melodies.
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1 month ago |
glasgowbell.co.uk | Henry Ivry
I wish I could say that it was love at first sight for me and Counterflows, Glasgow’s longest running experimental music festival. But it had been a week since I’d left the glass and chrome of Toronto’s condo skyline behind when I first walked into Maryhill’s Community Central Hall in March 2022, to check out what a friend insisted was the most important and exciting experimental event in the UK. How acclaimed could it be, I wondered? I’d never heard of it.
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Cautiously dipping my toes into the murky realms of method for @PublicBooks with fast and loose readings of @dan_sinykin @nicolemrizzuto1 @c_thorsson @XanderManshel @V21collective @TheJuliaHLee @endtimesplural @JeffreyInsko and many others.
“Actual infrastructures—whether those are universities or bridges—provide the material foundation to perform critique. But infrastructures are not just technical systems. They are also aesthetics that produce very specific articulations of modernity.” https://t.co/YRyYoeLnqV
RT @PublicBooks: “Actual infrastructures—whether those are universities or bridges—provide the material foundation to perform critique. But…
RT @PublicBooks: New at PB, @IvryHenry reviews new books that examine the literary life of material infrastructures and interrogate infrast…
