Hilary White's profile photo

Hilary White

San Francisco

Creative Director at walmart.com

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Articles

  • 6 days ago | hilarywhite.substack.com | Hilary White

    The idea of an iconographic programme - a cycle of images telling a sacred story - has a deep history, long predating Christianity. As we saw when we looked at the incredible 40,000 year old paintings of the Chauvet Cavern, human beings have always used ordered visual schemes to express spiritual and cosmological beliefs, hierarchy, power, and transcendence.

  • 1 week ago | hilarywhite.substack.com | Hilary White

    If you stay strictly on the beaten tourist paths in this country, you’ll mostly see the things everyone already knows about. Baroque ceilings that roar for attention. Painters and sculptors who have whole wings of museums and libraries to themselves.

  • 2 weeks ago | hilarywhite.substack.com | Hilary White

    Dear friends,I’m not feeling well and need to take a little time to rest and recover. I thought I should let you all know, since it unfortunately means I won’t be able to publish as planned. Last week I struggled to get just one post out, and I don’t think it was up to my usual standards. I’m soup-maxing, resting and taking very short walks, and will be getting away from screens for a couple of days. I’ll be back to writing as soon as I’m up to it, with luck, later in the week.

  • 3 weeks ago | hilarywhite.substack.com | Hilary White

    In the year 800, on Christmas Day, Pope Leo III placed a crown on the head of Frankish king, Charles - later to be called “the Great” - and declared him “Emperor of the Romans”. This was a bold and somewhat shocking move, especially considering there already was an emperor in Constantinople, who might beg to differ. Behind this dramatic secessionist moment lay an already deep history of profound and growing rifts between East and West.

  • 3 weeks ago | corridor8.co.uk | Jack Nicholls |Hilary White |Anne Waggot Knott |Kirsty Jukes

    They could be ordinary suburban houses. The camera journeys along hallways decorated in inoffensive greys and beiges; we see kitchens, bedrooms, lounges and an exterior bearded with ice, as if filmed in the middle of a harsh winter. Gradually, though, we see things aren’t quite right. Among the soft furnishings, a huge, sculpted finger lurks, while fleshy-looking textiles drape themselves over the king-sized bed. Paintings of car accidents and apocalyptic wastelands hang, unassumingly, on the walls.