
Hilton Kramer
Articles
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1 month ago |
newcriterion.com | John Byron Kuhner |Hilton Kramer |Daniel Mendelsohn |Eric Ormsby
Art:Paul Landacre: California Hills, Hollywood, and the World Beyond, A Catalogue Raisonné, by Jake Milgram Wien (Abbeville Press): “There was nothing small about [Paul] Landacre’s vision,” writes Dana Gioia in his afterword to the two-volume catalogue raisonné of California’s greatest wood engraver. “Despite their modest dimensions, his best prints are monumental and perdurable.” The same might be said of this finely chiseled box set produced by Abbeville Press.
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1 month ago |
newcriterion.com | John Byron Kuhner |Hilton Kramer |Aleksandr Solzhenitsyn |Daniel Mendelsohn
In May 2023, I had a review that began, “It’s Mozart Month at the Metropolitan Opera.” Two new productions had premiered in the house: of Don Giovanni and The Magic Flute. March 2025 is another Mozart Month at the Met. The company revived The Magic Flute last night, and will revive its Marriage of Figaro on the 31st. The Met’s Magic Flute production is the handiwork of Simon McBurney. I wrote about the production at some length when it premiered.
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Nov 22, 2024 |
newcriterion.com | Vasily Rudich |Hilton Kramer |Douglas Murray |Paul Tucker
Recent stories of note:“How Professors Killed Literature”Reinaldo Laddaga, CompactLast month, the internet was atwitter over a headline in The Atlantic: “The Elite College Students Who Can’t Read Books.” To explain the growing phenomenon of Ivy League students who are apparently unable to read a book in its entirety, the piece pointed to changing K–12 English curricula—especially those meant to bolster standardized-testing performance—as one cause.
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Nov 21, 2024 |
newcriterion.com | Vasily Rudich |Hilton Kramer |Douglas Murray |Larry P. Arnn
Most art lovers know Jusepe de Ribera’s The Club-Footed Boy (1642) in the Louvre, but much of his work can get lost among the Caravaggesque shuffle. It was not so in seventeenth-century Naples, where he settled in 1616 after a decade or so in Rome, or nineteenth-century Paris, where his art was exalted by writers such as Théophile Gautier and Baudelaire and many painters, first Jacques-Louis David and later Jean-François Millet and Edouard Manet. Byron even mentioned Ribera’s painting in Don Juan.
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Nov 21, 2024 |
newcriterion.com | Vasily Rudich |Hilton Kramer |Douglas Murray |Larry P. Arnn
The classic format of an orchestral concert is overture–concerto–symphony. Last night at the New York Philharmonic, we had concerto–symphony. The former piece was the Piano Concerto No. 3 in C minor, Op. 37, by Beethoven. The soloist? Yefim Bronfman. The conductor? Paavo Järvi (son of Neeme, the venerable Estonian conductor). Bronfman is a frequent player of Beethoven concertos. He played all five of them with the New York Philharmonic in the 2013–14 season.
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