
Articles
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5 days ago |
narcmagazine.com | Ikenna Offor
AWALReleased: 06.06.25Image by Thibaut GrevetOn Lotus, Little Simz doesn’t just open up, she offers a hard won blueprint for survival. After a near-breakdown and consequent crisis of confidence, the Islington-born rapper returns with her sixth studio album, a radically sincere emotional excavation that’s as stylistically fearless as it is soul-baring – an astoundingly personal reckoning with despair, self-doubt and the glimmering possibility of renewal.
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3 weeks ago |
narcmagazine.com | Ikenna Offor
10K ProjectsReleased: 16.05.25Monikered after a mid-century Ethiopian tourism slogan, Aminé’s latest offering is no mere course correction – it’s a spiritual homecoming that draws from his heritage and personal history with intentionality and grace. Where 2016’s Caroline introduced a buoyant, hook-happy MC, this is Aminé grown up: reflective, exacting, even elegiac.
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1 month ago |
narcmagazine.com | Ikenna Offor
Shrimptech EnterprisesReleased: 29.04.25Raucous and unflaggingly wry, Viagra Boys’ fourth LP deliver a heady jolt of subversive grit and absurdist humour suffused with the Stockholm sextet’s potent post-punk swagger. Ever the pawky wit, frontman Sebastian Murphy aptly forgoes the overt agitation of 2022’s Cave World for a darkly playful, if no less searing, prism.
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Feb 27, 2025 |
narcmagazine.com | Ikenna Offor
Image by Harrison FishmanArmed with a winningly unshowy verve, Squid spiritedly kick off the proceedings, launching straight into the sublime menace of Crispy Skin. The gaggle of now-amped revellers barely get a breather before the Brighton quintet spiral into Building 650’s hypnotic cacophony, frontman Ollie Judge’s frenetic drumming and yelped vocals setting the tone for the night — restless, protean and utterly gripping.
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Oct 14, 2024 |
narcmagazine.com | Ikenna Offor
Tygr Rawwk RcrdsReleased: 16.10.24For those in the know, Hemlock Ernst – the rap moniker of Future Islands frontman Samuel T. Herring – usually evokes Kerouacian lyrics kicked over jazzy breaks, recalling the heady witticisms of Aesop Rock circa ’01. Although this latest offering totally eschews soulful boom-bapery for angular soundscapes, the bars remain as incisive and freewheeling as ever, steeped in autobiographical cryptograms that veer from aporia to indubitability and back again.
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