Isaac Vazquez

Sep 18, 2024 | dialnet.unirioja.es | Isaac Vazquez |Ana Bueno |Amigo Vázquez

Ayuda Buscar en la ayuda Buscar en la ayuda Intervención conductual en la fibrosis quística: un estudio de caso Autores: Isaac Amigo Vázquez, Ana M. Bueno Localización: Revista española de terapia del comportamiento, ISSN 0212-6265, Vol. 6, Nº. 1, 1988, págs.

Apr 2, 2024 | dialnet.unirioja.es | Javier Oltra |Isaac Vazquez |Amigo Vázquez

Javier Oltra[1];Isaac Amigo Vázquez[1];Roberto Secades-Villa[1][1]Departamento de Psicología, Universidad de Oviedo, Oviedo, Principado de Asturias, EspañaLocalización: Adicciones: Revista de socidrogalcohol, ISSN 0214-4840, Vol. 36, Nº. 1, 2024, págs. 63-68Idioma: españolTítulos paralelos: How does smoking tobacco affect choosing a stable partner?

Oct 2, 2023 | chicagoreader.com | Isaac Vazquez

What narrative can we tell of a fractured life when gleaned through the nature of the anthropogenic? Possibly a fragmented story of being. “Life Cycles,” a group show curated by Ionit Behar at the DePaul Art Museum, gathers more than 50 artists in various mediums whose work shares a common border in exploring subjectivity through the appendages of life. The UnGala is back! Click here for the ticket link for this year's celebration at Epiphany Center for the Arts on Oct. 18.

Jun 16, 2023 | chicagoreader.com | Isaac Vazquez

A philosophical quandary. That is the space being conjured at José Taymani’s exhibition, “Ápside,” at Prairie. Presented are cast objects, with either their positive or negative space highlighted. The show is minimal in its presentation but weighted in a process that attempts to make sense of past and present lived experiences. The objects ask a string of questions related to aesthetics, histories, and formalisms: When does an object take form? Is negative space needed to complete it?

Jun 16, 2023 | chicagoreader.com | Isaac Vazquez

Posted inArts & Culture A philosophical quandary. That is the space being conjured at José Taymani’s exhibition, “Ápside,” at Prairie. Presented are cast objects, with either their positive or negative space highlighted. The show is minimal in its presentation but weighted in a process that attempts to make sense of past and present lived experiences. The objects ask a […]