
Isabella Marie Garcia
Freelance Writer and Photographer at Freelance
freelance writer & film photographer | bylines: @theartnewspaper @miaminewtimes @burnawayga @ff2_media | she + her + ella
Articles
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1 week ago |
burnaway.org | Isabella Marie Garcia
In his home studio in Stone Mountain, Georgia, narrative painter Tim Short’s distinctive practice centered on oil paintings offers an exploration of Black identity through imaginative, atmospheric art styles. His series For Da Folks exemplifies this approach, transforming intimate family moments into narratives imbued with cosmological and celestial imagery.
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2 weeks ago |
burnaway.org | Isabella Marie Garcia
Looking at a painting with words on it and mumbling them under your breath, just to taste the text and learn how it feels in the space beyond the surface of the work.
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1 month ago |
burnaway.org | Isabella Marie Garcia
ADVERTISEMENTOgden Museum of Southern Art commemorates the 50th anniversary of the Fall of Saigon with Hoa Tay (Flower Hands), an exhibition which centers emerging and established Vietnamese-American artists working throughout the American South. Opening March 15, 2025, Hoa Tay showcases twelve artists who use diverse media and styles to forge their own distinctive vision, conveying narratives of the Vietnamese Diaspora, both personal and universal.
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1 month ago |
burnaway.org | Isabella Marie Garcia
In her Atlanta studio, Honey Pierre creates richly textured portraits that center Black and Brown life in moments of softness, joy, and everyday intimacy. Using punch needle embroidery as her primary medium, Pierre weaves color, texture, and symbolism into scenes that reclaim rest and emotional presence as acts of quiet resistance. Working largely in vivid shades of blue, she reimagines the body as expansive, liberated, and beautifully whole.
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2 months ago |
burnaway.org | Isabella Marie Garcia
Jayne County is an artist whose biography is so substantial, it threatens to speak over her actual work as a performer, musician, and painter. Her paintings have received newfound acclaim after being exhibited in New York City and Lexington, Kentucky, the latter show organized by Daniel Fuller at Institute 193.
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