Izabella Scott
Editor at The White Review
PLEASURE GARDENS out with @MACK_Books ; THE BED TRICK forthcoming from @AtlanticBooks
Articles
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Sep 2, 2024 |
artreview.com | Izabella Scott
If the museum is a place both of remembering and repression, its relationship to historical facts is always unstable. How can art make space for those who history left behind? Mercedes Azpilicueta’s jacquard tapestries trace the conquest of the Americas across the sixteenth century: a time of violence, uncertainty and change.
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Sep 2, 2024 |
shorturl.at | Izabella Scott
If the museum is a place both of remembering and repression, its relationship to historical facts is always unstable. How can art make space for those who history left behind? Mercedes Azpilicueta’s jacquard tapestries trace the conquest of the Americas across the sixteenth century: a time of violence, uncertainty and change.
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Oct 19, 2023 |
artforum.com | Izabella Scott |Kristian Vistrup Madsen |Daniel Felsenthal |Chus Martínez
THE ARTS COMMUNITY is diverse and crosses borders, nationalities, systems of faith and belief. We as artists, writers, curators, filmmakers, publishers, and workers who create the core around which institutions and organizations revolve need to be assured that these are not just safe but humane spaces.
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Oct 19, 2023 |
artforum.com | Sarah Prickett |Izabella Scott |Kristian Vistrup Madsen |Daniel Felsenthal
On self-disintegration and the beauty of misunderstandingTeeth, x-rays, parts of cadavers, children’s toys, the steel heads of hammers: Real or ersatz, these are objects that could find each other only at a police station, or perhaps at the home of a murderer, unless, of course, they are compiled within the niches of an artist’s studio. Willa Nasatir is the artist; the studio is part of her art. That is to say, her images are highly reflective of the processes by which they are made.
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Oct 18, 2023 |
artforum.com | Izabella Scott |Kristian Vistrup Madsen |Daniel Felsenthal |Chus Martínez
Frieze London keeps calm, carries on AT THE GAGOSIAN OPEN—a new pop-up branch of the megagallery located in a crumbling eighteenth-century house in East London—I peered at early works by Christo. In the 1950s, before the Bulgarian émigré began swaddling entire buildings in collaboration with his partner, Jeanne-Claude, he began concealing bottles and empty paint cans in fabric.
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Loved guest editing this fiction issue of Mousse no. 90 with @skyita and @Ro_Mclaughlin 💘 Some very special pieces here, thank you to the team @MousseMagazine https://t.co/rUO8RpegL7
So happy to read this review of Pleasure Gardens 🌹
'The writing of Pleasure Gardens – and its reading – constitutes an act of resistance.' @ZoeValery27 reviews 'Pleasure Gardens: Blackouts and the Logic of Crisis in Kashmir' (@MACK_books) by @izabellascott and @skyita. Read here: https://t.co/gSZLYZuufW
RT @tankmagazine: "Kashmir is a disconcerting place to visit because it has retained a booming tourist industry and yet the occupation is s…
