
Articles
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1 month ago |
chicagoreader.com | Jack Riedy
The best talk show in town is not broadcast. It’s not even recorded. Every other Monday, Derek Bish transforms the cozy back room of Lincoln Square bar the Getaway into the set of Welcome to the Show, where he hosts talented Chicagoans in all kinds of disciplines. Musicians and comedians are heavily featured, sure, but photographers, crafters, and even taxidermists have sat for chats about their work.
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2 months ago |
passionweiss.com | Jack Riedy
Image via Jay Dickman/Getty ImagesShow your love of the game by subscribing to Passion of the Weiss on Patreon so that we can keep churning out interviews with legendary producers, feature the best emerging rap talent in the game, and gift you the only worthwhile playlists left in this streaming hellscape. Jack Riedy has said it before and he’ll say it again: Beach Bunny >>>> Rolling Stones. Sly Stone has been immortal for a long time.
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2 months ago |
blockclubchicago.org | Jack Riedy
CHICAGO — Rock band Horsegirl’s sophomore album “Phonetics On and On” explores new sounds and sensations while keeping the focus on the chemistry of three lifelong friends. “You still feel the emptiness of three people playing together,” guitarist Penelope Lowenstein said on the phone from her New York apartment she shares with fellow 21-year-old guitarist Nora Cheng.
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Jan 10, 2025 |
chicagoreader.com | Jack Riedy
On the landmark 1973 album Head Hunters, keyboardist Herbie Hancock led an ensemble consisting of woodwinds player Bennie Maupin, bassist Paul Jackson, drummer Harvey Mason, and percussionist Bill Summers to fuse the heady jazz-rock of Miles Davis’s electric period with the funk grooves of James Brown and Sly Stone. The instrumental record was a blockbuster: It became the first platinum-selling jazz album and spent 47 weeks on the Billboard pop charts.
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Nov 23, 2024 |
chicagoreader.com | Jack Riedy
Cloud Nothings formed in Cleveland and leveled up in Chicago. The trio, which evolved from a solo project of songwriter and guitarist Dylan Baldi, traded the sprightly power pop of their 2011 self-titled debut for serrated postgrunge skronk on 2012’s Attack on Memory, recorded with engineer Steve Albini at his Chicago studio Electrical Audio.
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