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1 month ago | 
tpimagazine.com | Jacob Waite
As someone who has visited many offices through my time at TPi, it must be said there is something special about Adam Hall Group’s German HQ. Based in Neu-Anspach – a short drive from Frankfurt – the company’s campus houses all the brands under the Adam Hall Group umbrella and is set up to be not just a hub for the group but a place to inspire.
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1 month ago | 
tpimagazine.com | Jacob Waite
Having diversified its line-up in recent years, Download Festival is not only growing in a programming sense – adding more hard rock bands to its roster – but the event has also bolstered its production value.
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1 month ago | 
tpimagazine.com | Jacob Waite
Having recently celebrated its 40th anniversary and welcomed its 1,000th team member at the end of 2024, L-Acoustics entered 2025 with the announcement that Bryan Bradley has joined the company as CEO, Americas. The news was jointly shared by global L-Acoustics Co-CEOs Laurent Vaissié and Hervé Guillaume, to whom Bradley reports.
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1 month ago | 
tpimagazine.com | Jacob Waite
In support of Foster The People’s latest US tour, FOH Engineer Adam Rowley recently hit the road with East London-based alt/indie-pop band, Good Neighbours. “I’ve known Oli, the lead singer, for a long time. We used to write together before the pandemic, so it was lovely to be part of this tour – a real full-circle moment,” he told TPi, as the dust settled on a successful 42-day, 30-show run. “We used Clair Global to fill in the gaps alongside my FOH setup.
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1 month ago | 
tpimagazine.com | Jacob Waite
The topic of sustainability in the outdoor events space is not new, with the UK and European festival industry often flying the flag for ‘out of the box’ thinking when it comes to lowering the environmental impact of live shows.
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1 month ago | 
tpimagazine.com | Jacob Waite
Originally constructed for the 1998 FIFA World Cup, France’s national stadium has played host to countless iconic sporting moments in recent history.
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1 month ago | 
tpimagazine.com | Jacob Waite
There is no doubt that audio prediction software plays a key role in the modern show, with system designers working side by side with FOH engineers on the design of a sound system, performing all the required calculations before even setting foot in a venue, with the goal of ensuring the best experience for the audience and managing off-site noise issues and multi-stage interference at festivals.
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1 month ago | 
tpimagazine.com | Jacob Waite
Launched in 1997 with the KF900, ADAPTive technology remains a benchmark in live sound. More recent releases like the AC6 build on EAW’s legacy of products such as Anya, Anna and Otto — each introduced as the touring industry was embracing line array systems. Almost three decades on, how has ADAPTive stood the test of time?
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1 month ago | 
tpimagazine.com | Jacob Waite
“It was such a surprise be recognised by our peers and colleagues at the TPi Awards,” Cruickshank stated proudly, speaking to TPi shortly after the ceremony. “We’ve put a huge effort into stepping up how we deliver shows over the past few years, so it feels good to know it’s been noticed.”As a proudly independent lighting and video rental outfit, Colour Sound Experiment thrives by staying true to its ethos.
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1 month ago | 
tpimagazine.com | Jacob Waite
Having worked with the classically-inspired pop trio for several years, STUDIO/ led the creative charge for Clean Bandit’s recent show at The London Palladium. The intimate performance was part of #BRITsWeek for War Child! which saw notable artists perform in famed venues across the city in the lead-up to this year’s BRIT Awards. TPi sat down with Show Designer, Jack Fox of STUDIO/, to learn more about the creative process.
