Jake Nevins

4 days ago | interviewmagazine.com | Jake Nevins

The director George C. Wolfe has counted himself among the many LaTanya Richardson Jackson fans in the theatre community for almost 40 years. Since 1988, to be exact, when first he saw the actor and wife of Samuel L. Jackson in The Talented Tenth at The Manhattan Theatre Club. “I was a quasi LaTanya stalker,” he confessed on a Zoom last month. “I remember the monologue that you gave to the young girl.

1 week ago | interviewmagazine.com | Jake Nevins

Lotus L. Kang’s images are objects, her objects are performances, and her performances are cinema—which is, of course, moving architecture. Maybe I’ve got that wrong: things aren’t other than what they are, but rather matrices of mediation both social and material. “I think it’s a way to deconstruct a medium, and think about the substrata as this non-neutral contributor to whatever it’s holding,” Kang says of her recent work in Already, her solo show now on view at 52 Walker in Tribeca.

1 week ago | interviewmagazine.com | Jake Nevins

For anyone who’s ever slipped into a booth at the storied Chateau Marmont, the hotel is less a place than a feeling—one of decadence, myth, and mischief. Few understand that better than Ryan Murphy, the maestro of Hollywood myth-making. The prolific creator behind Glee, American Horror Story, Feud and countless other prestige television shows has long used the Chateau as both a creative sanctuary and a personal hideout. “I’ve done almost every major actor meeting of my career there,” he explains.

1 week ago | interviewmagazine.com | Jake Nevins

Suffice it to say that Ts Madison is everywhere these days: of course, she’s still a regular on the judging panel of RuPaul‘s Drag Race and the host of its official reunion show, Bring Back My Girls, but she’s also just opened the Ts Madison Starter House in Atlanta, a reentry home for formerly incarcerated Black women, and if you attend the Cowboy Carter tour this summer, you’ll hear her iconic “Bitch, I’m Black” incantations during Beyoncé’s “Cozy.” So, what else is left for Ms. Madison do?

1 week ago | interviewmagazine.com | Jake Nevins

A few things are certain every Cannes Film Festival: great films, glamorous fashion, ostentatiously long standing ovations, and a gaggle of loiterers just outside the theater looking to find their way in. For this year’s 78th edition, where Jafar Panahi’s thriller It Was Just An Accident won the Palme d’Or—a record sixth consecutive Palme win for its distributor, Neon—we asked the Spanish photographer Francesc Planes to document it all, from the stars to the scalpers.