Articles

  • 5 days ago | highsnobiety.com | Jake Silbert |David Fischer

    You think you know Birkenstock sandals. And then you uncover a fresh gem. You've never heard of the Birkenstock Byblos, for instance. Which is too bad, really. The Birkenstock Byblos sandal is a fascinating example of just how vast a company Birkenstock truly is. Such is the nature of the surprisingly compact yet sprawlingly multinational shoemaker.

  • 5 days ago | highsnobiety.com | Jake Silbert |David Fischer

    It takes a certain level of stylistic power to land a COMME des GARÇONS collaboration. It takes a wholly different tier of influence to have COMME des GARÇONS make your album merch. Only A$AP Nast, baby. The 34-year-old rapper has been in the business for about a decade and a half but he's only just now releasing 90's Era Nasty, his first-ever studio album, as of 2025 Momentous stuff.

  • 1 week ago | highsnobiety.com | Jake Silbert |David Fischer

    The humble jort — jean short, that is — has literally never been bigger. Whereas denim shorts were once downright demure, the jorts of today are practically JNCO-sized. Modern jorts, really, are borderline jeans. My most recent jort reckoning was prompted by Dutch designer Camiel Fortgens, a downright nice guy who specializes in flipping clothing conventions and presenting them anew.

  • 1 week ago | highsnobiety.com | Jake Silbert |David Fischer

    Jacques Marie Mage mostly keeps to itself. It's a lot like Loro Piana in that way. JMM may be about a hundred years younger but it's not so far removed, with its premo glasses prized as symbols of taste akin to the Loro Piana loafer. But if the 2025 Met Gala was your introduction to Jacques Marie Mage, you might not think it was so self-effacing.

  • 1 week ago | highsnobiety.com | Jake Silbert |David Fischer

    The 2025 Met Gala promised an inclusive affair. Everything from this year’s co-chairs — A$AP Rocky, Lewis Hamilton, Pharrell, Colman Domingo — to the theme of “Superfine: Tailoring Black Style” read as an attempt to do right by fashion’s perpetually undersung Black creatives, their muses, and their predecessors. So, why were Tremaine Emory and Telfar Clemens, two of New York’s — if not the world’s — foremost Black fashion talents, not invited?