
Articles
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1 month ago |
radioworld.com | James O'Neal
Noise problems in the AM broadcast band are nothing new; several initiatives to alleviate the situation were underway 100 years ago, not long after the “birth” of broadcasting. However, here in the 21st century, the situation has only gotten worse, with the RF din from light dimmers, cellphone battery chargers and other consumer devices — compliant with FCC Part 15 in name only — making AM reception in the average home impossible.
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1 month ago |
tvtechnology.com | James O'Neal
With ATSC 3.0 (aka NextGen TV) now on the air in some 75 U.S. markets, more and more emphasis is being placed on this second-generation digital over-the-air broadcasting standard, not only for its ability to provide viewers with enhanced services, but also in advanced emergency alerting and datacasting, which has the potential to generate actual revenue streams for stations soon.
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1 month ago |
tvtechnology.com | James O'Neal
RANCHO MIRAGE, CALIF.—The movers and shakers of the content production community gathered under the HPA Tech Retreat banner once again here in southern California’s Coachella Valley resort area to hear about the latest industry trends, technological breakthroughs and issues, network, and also “kick back” a bit from winter doldrums. The year’s event, held Feb.
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Dec 27, 2024 |
radioworld.com | James O'Neal
This is a companion to the article “A Brief History of Delayed Programming.”Like many stations in the late 1940s and beyond, WTOP in Washington, D.C., was faced with the problem of delaying CBS network feeds. It was a CBS O&O until mid-1948 and likely assisted the network in providing regional delays.
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Dec 16, 2024 |
radioworld.com | James O'Neal
Recording and playout of programming today is easily left to automation and a file server. Thanks to the cloud, that server doesn’t even have to reside “on premises.”Delaying programs hasn’t always been that easy, though, as it involved handling and keeping track of physical recording media, as well as a conscious effort of the part of operators to make sure recordings got made and aired according to schedules.
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