Jane Wright

6 days ago | tolerance.ca | Jane Wright

By Jane Wright, Commissioning Editor, Arts & Culture, The Conversation UK This week I’ve seen Disney’s latest bingeable series, The Stolen Girl, variously described as a “posh-house drama”, “the equivalent of an airport novel” and “enjoyably preposterous” – so what’s not to like? One episode in, I’m lapping up the lavishly immaculate interiors and clipped tones of rich people who call everyone “darling”.

6 days ago | theconversation.com | Jane Wright

This week I’ve seen Disney’s latest bingeable series, The Stolen Girl, variously described as a “posh-house drama”, “the equivalent of an airport novel” and “enjoyably preposterous” – so what’s not to like? One episode in, I’m lapping up the lavishly immaculate interiors and clipped tones of rich people who call everyone “darling”. And I always enjoy the hilariously shonky portrayal of journalists and the way dramatists think they speak to each other.

2 months ago | tolerance.ca | Jane Wright

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2 months ago | theconversation.com | Jane Wright

Anyone familiar with Scotland will know the weather is at best mercurial, and at worst wet, grey and what we call “dreich” – a good Scottish word meaning drab. For an artist in the early 20th century suffering not just miserable weather but a cultural landscape of joyless, soul-sucking Presbyterianism, escaping to the sunlit uplands of the Parisian avant garde, where artists were experimenting wildly with new ideas and techniques, would have been deeply attractive.

Jan 10, 2025 | tolerance.ca | Jane Wright

© 2025 Tolerance.ca® Inc. All reproduction rights reserved. All information reproduced on the Web pages of www.tolerance.ca (including articles, images, photographs, and logos) is protected by intellectual property rights owned by Tolerance.ca® Inc. or, in certain cases, by its author. Any reproduction of the information for use other than personal use is prohibited.