
Jason Liwag
Writer at Freelance
Scientist, actor, writer, and curator. Film programmer at @QCinemaPH and @leedsfilmfest. Part-time lecturer at CIIT. Founder of QCinema Critics Lab. @fipresci
Articles
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Feb 12, 2025 |
screenslate.com | Jason Liwag
Marilou Diaz-Abaya’s Moral (1982) is widely regarded as a feminist and humanist masterpiece in the Philippines.
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Nov 27, 2024 |
filmmakermagazine.com | Jason Liwag
Back to selection by Jason Tan Liwag in Directors, Interviews on Nov 27, 2024 Around sixteen years ago, the late great Filipino film critic Alexis Tioseco saw Antoinette Jadaone’s student short films ‘plano (2005) and Saling Pusa (2006) and began championing her work.
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Nov 14, 2024 |
rappler.com | Jason Liwag
When Hello, Love, Goodbye was released into theaters in 2019, it became an unparalleled box-office success, uniting Kathryn Bernardo and Alden Richards, actors who were departing from their respective love teams, with director Cathy Garcia-Sampana, arguably one of the pillars of modern day commercial romance films.
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Nov 10, 2024 |
letterboxd.com | Jason Liwag
1-6: QCShorts International A — Filipino shorts 7-12: QCShorts International B — Southeast Asian shorts 13-18: Shorts Expo 19: Mid-length 20-24: Directors Factory Philippines Block or Report 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23...
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Sep 26, 2024 |
philstarlife.com | Jason Liwag
ByJason Tan Liwag Published Sep 27, 2024 5:00 amWhen the pandemic ravaged the world, the digital landscape seemed to be the most promising space for young talent to thrive. But in the last two or so years, amidst the mounting aversion towards screens and the deluge of “content,” audiences have grown weary of the black mirror tied to our hands. Instead, people have turned to live theater, which has unexpectedly boomed since its return in 2022, to discover and hone young artists.
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RT @filmstofilms_: It only took 97 years and Emilia Pérez.

RT @rarefilmm: New rare Filipino film starring the late Nora Aunor now available with English subtitles for the first time courtesy of @pel…

Now that I'm teaching undergrads, I've been thinking a lot about my own practice as a critic and curator. Encountering all of the problems...was initially quite paralyzing. But I'm learning how to move forward despite the discomfort. We must teach people to be angry yet hopeful.