
Jason P. Woodbury
Freelance Writer at Freelance
Editor and Podcaster at Aquarium Drunkard
@Aquadrunkard Transmissions | Creative director & producer for @WASTOIDSDOTCOM from @HelloMerch | Records on @fortlowellrecs
Articles
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2 weeks ago |
aquariumdrunkard.com | Jason P. Woodbury
In this desolate landscape of oppression and depression, the underground reigned supreme. And, for a second there, it actually seemed to be able to reinvent social commentary using a language and code coming from the margins—a glorification of the outcast that eventually gave birth to its own sub-movement: Marginália or Cultura Marginal. Representing it as a privileged emblem of weirdness and shocking value was a delirious fever dream.
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2 weeks ago |
aquariumdrunkard.com | Jason P. Woodbury
Silence is a primary component of Nathan Salsburg’s new album Ipsa Corpora. The first all-acoustic solo guitar record from Salsburg since 2018’s Third, Ipsa Corpora consists of one, nearly 40-minute long track. Within that single song, Salsburg moves through a series of sections made up of a multitude of musical motifs on the acoustic guitar. The binding agent throughout are moments of silence.
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2 weeks ago |
jasonpwoodbury.substack.com | Jason P. Woodbury
Soul master Sly Stone and pop visionary Brian Wilson both departing in such close succession reminds me of that stretch back in 2016 when all of the sudden David Bowie and Prince were both gone, the very firmament of popular song shifting under our feet. While they may have skewed in opposite directions vibe wise, both Stone and Wilson similarly viewed the studio as a way of psychedelically expanding their songs, expanding the definition of pop music in the process.
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2 weeks ago |
aquariumdrunkard.com | Jason P. Woodbury
The universe isn't hurting for more albums filled with gorgeous waves of melody and pillowy drones produced by synthesizers. But when the person behind said music is Peter Baumann, you'd be right to sit up and pay attention to it. He joined us to discuss Nightfall, his recently-released studio album that sets an appropriately dusky tone over nine tracks of smoldering ambient and gently experimental pop . . . Only the good shit. Aquarium Drunkard is powered by its patrons.
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3 weeks ago |
aquariumdrunkard.com | Jason P. Woodbury
In summer 1977 the Charles Mingus Quintet rolled into South America on tour. It was the second time he’d been there and these shows would be among his last. As such Mingus in Argentina: The Buenos Aires Concerts would be essential listening for anyone interested in his music. But thankfully it’s more than just that . . . Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.
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