
Jeff Weiss
Writer at Freelance
it’s regular but it’s not normal • EIC at POW Mag • Founder: @powrecordings • "Waiting For Britney Spears" out June 10th on MCD/FSG • Long Live Drakeo
Articles
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2 weeks ago |
hollywoodreporter.com | Jeff Weiss
Britney Spears is Gatsby, Daisy and the green light at the end of the dock in a probing new book that posits the long-troubled pop star as the modern-day Marilyn Monroe. Waiting for Britney Spears is a gonzo tale of fluorescent noir, in which she’s the femme fatale who’s relentlessly stalked by hordes of paparazzi, along with a reluctant, shambolic Britney beat reporter — who may or may not be an exact stand-in for the author.
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2 weeks ago |
revistagq.com | Jeff Weiss
Waiting for Britney Spears: A True Story, Allegedly es una biografía de una estrella del pop del mismo modo que Miedo y asco en Las Vegas [la novela de Hunter S. Thompson] es un relato periodístico sobre un viaje a una carrera de coches y a una convención de fiscales de distrito; es decir, en teoría sí, pero en la práctica no lo es para nada.
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1 month ago |
gq.com | Jeff Weiss
Jeff Weiss’s Waiting For Britney Spears: A True Story, Allegedly is a pop-star biography the way Fear and Loathing in Las Vegas is a journalistic account of a trip to an auto race and a district attorneys’ convention—i.e., circumstantially, but also not at all.
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2 months ago |
publishersweekly.com | Honoree Fanonne Jeffers |Honorée Jeffers |Evan Osnos |Jeff Weiss |Maggie Gram
Chris DeVille. St. Martin’s, $29 (336p) ISBN 978-1-250-36338-1Stereogum managing editor DeVille debuts with a comprehensive and colorful account of the rise, fall, corporatization, and partial revival of indie rock. He traces the genre’s roots to 1990s grunge, and charts a rise fueled by internet fan communities and music sites like Pitchfork that catapulted unknown bands to fame.
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2 months ago |
publishersweekly.com | Quinn Slobodian |Honoree Fanonne Jeffers |Honorée Jeffers |Evan Osnos |Jeff Weiss
Quinn Slobodian. Zone, $29.95 (272p) ISBN 978-1-890951-91-7Despite “lazy media framing” that presents Trump-era populism as a backlash against capitalism, many of the movement’s “supposed disruptors of the status quo” are in fact agents of a new capitalist vanguard, according to this incisive account.
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