
Jennie Kermode
Editor and Content Director at Eye for Film
Author - https://t.co/pDOoxGpYe5 - journalist & filmmaker. Advisor at Trans Media Watch, editor at Eye For Film. NUJ, OFCS, CherryPicks, #binders - any pronouns.
Articles
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6 days ago |
eyeforfilm.co.uk | Jennie Kermode
What did a computer user look like in the mid-1980s? The gaming revolution was in its early stages then; the idea that there might reasonably be a computer in every home was only just beginning to take off. Some people saw the beginnings of an industry in which great fortunes would be made; others saw the whole thing as nerdy and essentially pointless. Either way, it was associated with men – and, almost exclusively, with white men. Mavis Beacon changed all that.
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1 week ago |
eyeforfilm.co.uk | Jennie Kermode
The Make It To Munich team on the 2025 Glasgow Film Festival red carpet with festival director Allison Gardner. Photo: Eoin Carey When promising young Aberdeenshire football protégé Ethan Walker was severely injured in a car accident, it initially looked as if he might be struggling to do even basic things for the rest of his life. His dream of a professional sporting career seemed far away.
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1 week ago |
eyeforfilm.co.uk | Jennie Kermode
What makes a Western? Is it the look, the location, the storyline? From the outset, Carlyle Eubank’s film very much has that atmosphere, though it takes no interest in revenge or moral reckoning, and it’s set in the present day. Its initial shot could take place any time in the past two centuries, however, as a quiet, smooth white plain shining in the morning light suddenly erupts, a battered-looking man clawing his way up from beneath the snow.
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1 week ago |
eyeforfilm.co.uk | Jennie Kermode
A Journey In Spring Photo: Queer East Best Director award winners at Tribeca 2023 for their film A Journey In Spring, Peng Tzu-hui and Wang Ping-wen are continuing to present it on the festival circuit, with its latest screening being at the Queer East film festival, which showcases LGBTQ+ related work from Asia.
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1 week ago |
eyeforfilm.co.uk | Jennie Kermode
To live next to a waterfall is to become so familiar with its constant roar that it’s only when parted from it that one really understands its majesty; and then, the silence is dizzying. There was a beautiful waterfall in the place where she grew up, Siù-tuān (Yang Kuei-mei) recalls. She kept meaning to go back and visit it.
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