
Articles
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3 weeks ago |
christies.com | Jenny Wu
Left: Artist Ruth Asawa making wire sculptures, California, United States, November 1954; image: Nat Farbman/The LIFE Picture Collection/Shutterstock; artwork: © 2025 Ruth Asawa Lanier, Inc., courtesy David Zwirner.
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3 weeks ago |
artforum.com | Jenny Wu
Store and/or access information on a device Cookies, device or similar online identifiers (e.g. login-based identifiers, randomly assigned identifiers, network based identifiers) together with other information (e.g. browser type and information, language, screen size, supported technologies etc.) can be stored or read on your device to recognise it each time it connects to an app or to a website, for one or several of the purposes presented here.
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2 months ago |
artforum.com | Jenny WuPlus icon |Jenny Wu
Store and/or access information on a device Cookies, device or similar online identifiers (e.g. login-based identifiers, randomly assigned identifiers, network based identifiers) together with other information (e.g. browser type and information, language, screen size, supported technologies etc.) can be stored or read on your device to recognise it each time it connects to an app or to a website, for one or several of the purposes presented here.
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2 months ago |
artforum.com.cn | Jenny Wu
C L E A R I N G画廊,纽约 张丰渊(Miranda Fengyuan Zhang)的五幅棉织作品引领观者开启了一场溯哈德逊河而上的旅程:从纽约城启航,穿越卡茨基尔山脉,直抵加拿大。相较于她过往以明快张扬的色调、有机形态与织物表面逸散的线头为特征的创作,此次在C L E A R I N G画廊“山色渐蓝处必临湖”(You can always tell when a lake is coming up, because the mountain would start looking blue)展览中的作品呈现出克制疏离、严肃超然的理性气质。展厅入口左侧墙面悬挂的《沿哈德逊河的铁路纪行》(On Amtrak Along the Hudson River,所有作品均创作于2024年)以密闭隧道中成排老旧的荧光灯管为母题,通过直角透视序列构建的地下通道赋予画面严谨的秩序感,加之灰、蓝、紫与蛋黄色的手织棉线形成的微妙摇曳感,唤起了一种疾速行进与满怀期待的情绪——那是徒步与泅渡前令人感到幽闭的列车体验。...
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Nov 6, 2024 |
artnews.com | Jenny Wu
Student activists coined the term “Asian American” in 1968 to unite students of Asian descent, alongside Black and Latinx students, in pushing for the creation of an ethnic studies department at the University of California, Berkeley. So it’s fitting that “Legacies: Asian American Art Movements in New York City (1969–2001),” the first survey exhibition to focus on Asian American artists in New York across multiple generations in the latter half of the 20th century, is set in a college gallery.
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