
Articles
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1 week ago |
pitchfork.com | Jeremy D. Larson
In a matter of a few months, I have gone from someone who’s never watched a medical procedural drama to someone who would sooner eat glass than see any harm come to the staff, nurses, and doctors on Max’s The Pitt.
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3 weeks ago |
pitchfork.com | Anna Gaca |Jeremy D. Larson |Marissa Lorusso |Philip Sherburne
Pitchfork’s editors are already sorting, compiling, and straining to remember all the music that’s been released this year. So we’re spotlighting some of 2025’s most outstanding records to date by rounding up albums that have earned high scores and Best New Music designations with a quick list of RIYLs (that’s Recommended If You Like) and links to our coverage. Unlike our year-end lists, this one is organized in reverse chronological order.
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4 weeks ago |
pitchfork.com | Jeremy D. Larson
There are four interesting things about rototoms, a specific type of drum that plays an outsized role on YHWH Nailgun’s debut album. They were invented out of necessity in the early 1960s by Al Payson, a concert percussionist with the Chicago Symphony Orchestra who needed a quick way to change the pitch of a drum for a new piece he was performing.
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1 month ago |
pitchfork.com | Jeremy D. Larson
Growing up in Santa Cruz, California, in the 1980s—where the surfers were the jocks of the school and the Grateful Dead were newly resurgent—a young Adam Scott was doing what most of us were doing at a young age: figuring out his identity through music. His older brother revealed to him the myriad secrets of Led Zeppelin and R.E.M., while pop radio and MTV were shaping his nascent taste in obvious but important ways.
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1 month ago |
yahoo.com | Jeremy D. Larson
Illustration by Chris Panicker, photo by Carlo Paloni/BAFTA via Getty ImagesGrowing up in Santa Cruz, California, in the 1980s—where the surfers were the jocks of the school and the Grateful Dead were newly resurgent—a young Adam Scott was doing what most of us were doing at a young age: figuring out his identity through music. His older brother revealed to him the myriad secrets of Led Zeppelin and R.E.M., while pop radio and MTV were shaping his nascent taste in obvious but important ways.
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RT @pitchfork: We're proud to announce that Senior Writer Alphonse Pierre has been chosen as a 2025 ASME Next Award honoree by the American…

I love The Pitt! Especially because there is no bad dumb music in the show. So I talked to the showrunners about the show's sound design, the minimalist score, and real silence https://t.co/WPq6r9OMlo

An important PSA for new or young musicians: No one from Pitchfork will ever DM you and ask you to be on our site. It’s a scam! Someone is impersonating a writer to get you to pay them money. Stay frosty….