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Jim Batts

Contributor at WeAreMovieGeeks

Articles

  • 1 day ago | wearemoviegeeks.com | Jim Batts |Gabriel Byrne

    With another post-Memorial Day weekend, yet another franchise arrives with a new entry at the multiplex. It feels like a week ago (and it was) that I wrote about the return of THE KARATE KID, which was a sequel/reboot that dealt with the loss of a major supporting character, Mr. Miyagi. This new film takes on the challenge of continuing a series when the major “title” character met his end (yeah, probably…) in the last installment.

  • 1 day ago | wearemoviegeeks.com | Jim Batts

    It’s always great as a reviewer when you can alert folks to a film that’s truly worth their time, a real engaging story full of twists, turns, and often very pleasant surprises. An even greater “stunner” is the fact that it’s the sixth (though some may argue it’s the eighth) installment of a nearly forty-year-old film franchise. Normally, I’d suggest that you would be wise to order tickets early to see it at your favorite multiplex, but I can’t really do that.

  • 1 week ago | wearemoviegeeks.com | Jim Batts

    And with the first official post-holiday “Summer cinema” weekend at the multiplex, here comes the return of another beloved movie franchise. Though it doesn’t boast the longest wait between installments, its storied history is one that the IMF might have a tough time sorting through. It’s hard to believe that the initial was over forty years ago. That flick and its two sequels became cable TV staples in the 1980s.

  • 1 week ago | wearemoviegeeks.com | Jim Batts

    Just because the Summer movie season is officially in full swing (Memorial Day was last Monday, already), it doesn’t mean that there isn’t room at the multiplex for a daring original (and often brutal) horror flick amongst the family-friendly fantasies and the action “tentpoles”.

  • 2 weeks ago | wearemoviegeeks.com | Jim Batts

    This week’s new indie comedy (a “micro-budgeted” flick squeezed in between two holiday-weekend studio “tentpoles”) explores the difficulty for adults to make new, meaningful connections in the hectic modern world. Now it’s not really a “rom-com” (though some may interpret it as such) about the meet-cute and “wooing” of two “camera-ready” twenty-somethings. This focuses on a duo in their early 40’s, though one of them was a recent People Magazine “Sexiest Man Alive”.

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