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Jim Vorel

Decatur

Staff Writer at Paste

Staff writer @PasteMagazine. Crotchety elder millennial. Writer of craft beer, spirits, B-movie, and food-related geekery. Century of Terror author, google it!

Articles

  • 1 week ago | pastemagazine.com | Jim Vorel

    Listen to this article Your browser does not support the audio element. Only a few months ago, it probably wouldn’t have been difficult to find plenty of fan reticence about the prospects of 28 Years Later. This is, after all, a new installment in a series that hadn’t had a film since 2007’s 28 Weeks Later, itself not as satisfying (aside from an instantly iconic opening sequence) as Danny Boyle’s groundbreaking 2002 original, 28 Days Later.

  • 1 week ago | pastemagazine.com | Jim Vorel

    Listen to this article Your browser does not support the audio element. There’s an understandable tendency, in writing a cinematic villain, to strive to create too perfect a foil for your heroes. The impressiveness of a hero, after all, is often boiled down to the daunting stature of the obstacles they must overcome and the antagonists they must face down–particularly in a trope-powered space opera on the scale of Star Wars.

  • 1 week ago | pastemagazine.com | Jim Vorel

    Say what you will of writer-director Mike Flanagan’s prolific output and tendency to retread some of the same themes (and performers)–the guy has been keyed in like few other filmmakers in the last decade to the pulse of what his audiences want.

  • 1 week ago | pastemagazine.com | Jim Vorel

    It’s fitting, in its way, for a film with such vague aspirations as Daddy to bear a title with this much open-ended ability to interpret, and this little ability to easily look up via a search engine. Attempt to find evidence of directors Neal Kelley and Jono Sherman’s indie sci-fi feature dramedy online, and you’ll run into a plethora of random films named some variation upon “Daddy,” which could easily leave the curious viewer uncertain of how to progress.

  • 1 week ago | pastemagazine.com | Jim Vorel

    Ari Aster apparently intends to not only touch but jump all over the third rail of American society, given the newly released first trailer for A24’s Eddington, which you can view below.

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James Vorel
James Vorel @JimVorel
10 Apr 25

RT @PasteMagazine: Tech thriller Drop aims for De Palma and hits Collet-Serra instead, but that's not the worst thing in the world. #Drop #…

James Vorel
James Vorel @JimVorel
9 Apr 25

RT @PasteMagazine: The decline of the young adult dystopian genre in the midst of fascism -- Audiences are sick of seeing shallow depiction…

James Vorel
James Vorel @JimVorel
9 Apr 25

RT @jonfavs: Art of the Deal: 1) Impose massive tariffs on nearly every country that crash the markets and create the conditions for glob…