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Jim Vorel

Decatur

Movies Editor at Paste

Movies editor @PasteMagazine. Crotchety elder millennial. Writer of booze, B-movie, horror and food-related geekery. Century of Terror author, google it!

Articles

  • 4 days ago | pastemagazine.com | Jim Vorel

    Personalised advertising and content, advertising and content measurement, audience research and services developmentStore and/or access information on a deviceYou can choose how your personal data is used.

  • 1 week ago | pastemagazine.com | Jim Vorel

    Listen to this article Your browser does not support the audio element. For as long as we’ve depicted narratives on film, we’ve been killing human beings in movies. Not literally, of course–fear not, because you haven’t stumbled upon a list of prominent snuff films here.

  • 1 week ago | pastemagazine.com | Jim Vorel

    For years, writer-director Jesse Armstrong made us privy to the back-room dealings and familial drama of the Roy clan on HBO’s Succession, drawing us in almost against our will to a place of empathy for an assembly of ultra wealthy people who fell somewhere on a spectrum between “embarrassing” and “detestable.” In his new HBO Max feature film Mountainhead, which was conceived, filmed and released in rapid succession since the start of 2025 for maximum timeliness, Armstrong returns to the same...

  • 1 week ago | pastemagazine.com | Jim Vorel

    Septuagenarian sleuths, assemble: Netflix has unveiled the first teaser trailer for would-be senior blockbuster entertainment, the murder mystery The Thursday Murder Club. Sporting an extremely impressive ensemble cast of well-seasoned Hollywood performers, and directed by none other than … Chris Columbus? … one gets the sense that Netflix is really trying to tap a major, unexploited market for older streaming audiences on this one.

  • 1 week ago | pastemagazine.com | Jim Vorel

    It’s interesting how a filmmaking choice that imbues a movie with instantly gripping tension can also, simultaneously burden the same film with unfortunate baggage later on. Such is the case with Scottish director John Maclean’s attractively made but haphazardly structured and paced Tornado, his sophomore film coming a decade after the similarly lustrous, well-received revisionist western Slow West.

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