Articles
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Dec 18, 2024 |
niemanlab.org | Joanne McNeil
Over the past decade (often in this annual roundup!), we’ve heard a lot about journalist-influencers and journalists who go independent through services like Patreon and Substack. But we seldom hear about the people reading these independent newsletters or listening to these podcasts or viewing journalistic social media content. My prediction is that many of these followers are going to switch up their media habits in 2025.
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Dec 15, 2024 |
filmmakermagazine.com | Joanne McNeil
by Joanne McNeil in Columns, Issues on Dec 16, 2024 Bluesky, Twitter, Winter 2025, X If you are a filmmaker, journalist, artist or someone else who creates work for an audience, most likely you’ve used social media to share it. Self-promotion is never fun, but it’s felt especially inconsistent (if not totally hopeless) ever since Elon Musk acquired Twitter, renamed it X and began throttling views to posts that include links.
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Sep 18, 2024 |
filmmakermagazine.com | Joanne McNeil
Back to selectionby Joanne McNeil in Columns, Columns, Issueson Sep 18, 2024 Academy Museum, Summer 2024 This year is the 40th anniversary of William Gibson’s classic novel Neuromancer. It’s a work of singular brilliance that arrived as part of a new vanguard.
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Jun 27, 2024 |
filmmakermagazine.com | Joanne McNeil
Bill Shaner at Rewind Videos and More (photo by Christine Peterson) by Joanne McNeil in Columns, Issues on Jun 27, 2024 Bill Shaner, Rewind Videos and More, Summer 2024 Imagine you are in the basement of a home somewhere in the suburbs amid towers of cardboard boxes and items bought in bulk. There are bikes with training wheels and cobwebs between the spokes. Behind a broken recliner is a fake Christmas tree with garland and fairy lights still on it.
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May 20, 2024 |
yalereview.org | Joanne McNeil
The British artist Harold Cohen was a successful painter in the 1950s and 1960s, exhibiting widely across Europe at major exhibitions including the Venice Biennale and Documenta. Then, in 1968 he moved to California and started tinkering with computers. He had gone west to join the visual arts department at UC San Diego and while he was there he found inspiration in the campus computer lab.
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