
Joe Bebco
Articles
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2 months ago |
syncopatedtimes.com | Joe Bebco
Since TST co-editor, webmaster, and in-house reviewer Joe Bebco generally has a lot to say (and I generally don’t) I’m ceding the Static space to him this
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Dec 31, 2024 |
syncopatedtimes.com | Joe Bebco
It’s crazy to me that eight years into reviewing for The Syncopated Times the only previous time I covered After Midnight was their Christmas album. It was great, and hinted at a great band, but I think I can say in January, it was after all, a Christmas album. It’s crazy to me in part that I haven’t commented on them more because the leader of After Midnight, clarinetist Roger Campbell, has been such a strong supporter of The Syncopated Times for as long as I can remember.
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Dec 31, 2024 |
syncopatedtimes.com | Joe Bebco
I’m not a natural ragtime fan, at least not the music most people think of when they hear the word. Solo piano ragtime often feels to me like a mid 20th century invention distinct from the records from 1895-1917 that I grew up on collecting 78s. This is true in both directions, both the hokey piano records of the ’50s and the treatment of a certain selection of rags as masterpieces of high art rather than the masterpieces of popular music they were. This may be self delusion on my part.
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Dec 31, 2024 |
syncopatedtimes.com | Joe Bebco
My review column hasn’t visited the West Coast in a while, which would seem strange to readers who have had a jazz rag in their mailbox every month since the 1980s. The reality is the bands that once dominated the traditional jazz festivals are not cranking out albums like they used to. There is still a healthy scene out West though, with great musicians of all ages, and I do have several albums in my queue from West Coast jazz bands.
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Dec 30, 2024 |
syncopatedtimes.com | Joe Bebco
Back in college one of my pastimes, hep cat that I was, was chasing the library closing time copying their LPs to cassette tapes. My focus was Smithsonian releases of folk, world, and otherwise weird records, but I also copied plenty of early jazz and blues, mostly in the style of Bessie Smith and her peers.
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