John Mulvey
Editor at MOJO
Editor, MOJO. Ex-Editor, Uncut/Ex-Deputy Editor, NME. Only here now to plug stuff. https://t.co/CgPjacLGZJ
Articles
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6 days ago |
mojo4music.com | John Mulvey
A night of symphonic Grateful Dead jams in LondonBobby Weir & The Wolf BrosIn 1963, a couple of years before he joined the band that would become the Grateful Dead, Phil Lesh was an aspiring composer, working on a piece called Foci that required four orchestras – 123 players and four conductors – to be performed.
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3 weeks ago |
shorturl.at | John Mulvey
Jarvis Cocker and co. deliver a career high on their first album in 24 years. Pulp - More★★★★ROUGH TRADEWhen Jarvis Cocker rhymes “vicars” with “knickers” a couple of songs after dropping a reference to Ingmar Bergman into the end of Spike Island, it soon becomes apparent that at least one of Pulp’s idiosyncratic missions – loosely, to make existential crisis out of bedroom farce, or bedroom farce out of existential crisis – remains intact on this hearteningly fine comeback album.
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3 weeks ago |
mojo4music.com | John Mulvey
Class reunion: Jarvis Cocker and co. deliver a career high with eighth LP. Pulp★★★★ROUGH TRADEThe rhyming of “vicars” and “knickers” and a reference to Ingmar Bergman swiftly prove that at least one of Pulp’s idiosyncratic missions – loosely, to make existential crisis out of bedroom farce, or bedroom farce out of existential crisis – remains intact on this hearteningly fine comeback album.
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3 weeks ago |
shorturl.at | John Mulvey
Class reunion: Jarvis Cocker and co. deliver a career high with eighth LP. Pulp★★★★ROUGH TRADEThe rhyming of “vicars” and “knickers” and a reference to Ingmar Bergman swiftly prove that at least one of Pulp’s idiosyncratic missions – loosely, to make existential crisis out of bedroom farce, or bedroom farce out of existential crisis – remains intact on this hearteningly fine comeback album.
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1 month ago |
mojo4music.com | John Mulvey
Hyper-productive Californian becomes a Glam rock Lennon on his 17th - and best? - album. Ty Segal★★★★DRAG CITYOne minute and two seconds into The Beatles’ She Loves You, there’s a vocal punctuation that sends music off on a whole new trajectory: the Fabs united, as a collective Little Richard, letting out an ecstatic “woo!” (or perhaps an “ooh!”: what do you hear?). It’s pop’s capacity for joy, energy, spontaneity and boundless possibilities articulated in a split second.
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