Articles

  • 1 week ago | theartnewspaper.com | Annabel Keenan |John-Paul Stonard |Joe Ware |Anne Kraybill

    Art Jameel, the independent art organisation in Saudi Arabia and the UAE, is centring sustainability in its operations and programming and leading a push for less stringent conservation standards in the cultural sector. Historically set by institutions in North America and Northern Europe, these standards can require significant energy consumption to maintain and are exacerbating inequity among institutions that cannot comply, primarily those in the Global South.

  • Jan 17, 2025 | theartnewspaper.com | John-Paul Stonard |Anny Shaw |Joe Ware

    One of the most famous train journeys in art was Vincent van Gogh’s trip from Paris to Arles in February 1888 on the PLM, or Paris-Lyon-Mediterranée Express. Although steam locomotion had been a subject for artists for some time, in his painting Van Gogh was the first to show the way train travel had transformed both the landscape and human perception of the world.

  • Dec 4, 2024 | the-tls.co.uk | John-Paul Stonard |Elizabeth Lowry |Lauren Elkin

    Hans Josephsohn began to gain public recognition for his sculpture around the turn of the century, when he was eighty. Among these late works at the Musée d’Art Moderne in Paris, four roughly modelled wall reliefs stand out, showing forms that might be interpreted as an artist and a model, a heavy lintel-like beam weighing down on the scene. Here and there a detail might suggest a face or body part, but these are quickly submerged in the overall sense of a non-specific yet hardly arbitrary object.

  • Sep 25, 2024 | aina.org | John-Paul Stonard

    In a recent talk at the British Museum (BM), sitting between the two great Assyrian lamassu from Khorsabad, the Turkish writer Elif Shafak spoke about the role fiction can play in shedding light on otherwise forgotten moments of personal and historical trauma.

  • Sep 25, 2024 | theartnewspaper.com | John-Paul Stonard

    In a recent talk at the British Museum (BM), sitting between the two great Assyrian lamassu from Khorsabad, the Turkish writer Elif Shafak spoke about the role fiction can play in shedding light on otherwise forgotten moments of personal and historical trauma.

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