
John Seabrook
Staff Writer at The New Yorker
New Yorker staff writer. Author of The Song Machine, NoBrow, other books. Wordy complexion and hair. "Mysterious powers hover around us subject to our call."
Articles
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2 months ago |
barnesandnoble.com | John Seabrook
The Spinach King: The Rise and Fall of an American DynastyThe riveting saga of the Seabrooks of New Jersey, by one of the New Yorker’s most acclaimed storytellers.
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Sep 15, 2024 |
newyorker.com | John Seabrook
At Paquita, a tea shop in the West Village, Billy Corgan, the Smashing Pumpkins’ fifty-seven-year-old front man and main songwriter, asked if there was a pu-erh, a fermented Chinese tea, that he could try. “I’m a tea snob,” he said. In Paris recently he had a pu-erh that had been fermented for sixty years. “It was like I was drinking pure earth!”The server suggested a sticky-rice pu-erh. Corgan tipped the brim of the Cubs baseball cap that sat atop his gleaming pate. “I’ll try that,” he said.
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Jan 28, 2024 |
newyorker.com | John Seabrook
Sir Lucian Grainge, the chairman and C.E.O. of Universal Music Group, the largest music company in the world, is curious, empathetic, and, if not exactly humble, a master of the humblebrag. His superpower is his humanity.
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Nov 19, 2023 |
newyorker.com | John Seabrook
Over French toast at Ladybird, an East Village vegan place, Marr recalled selecting guitars for his collaborator, Pat Graham, to photograph. He soon realized that “Marr’s Guitars” was going to be more than a coffee-table book for fetishists. It became a musical memoir of his encounters with great guitars that, he said, “turned my daydreams into sound.” Each time he pulled out an instrument, he said, “I remembered what movies I was watching, why I bought it—who I fookin’ was.
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Oct 1, 2023 |
newyorker.com | John Seabrook
The four-piece British rock band was in town recently for two sold-out shows at Forest Hills Stadium. On the morning between gigs, Helders went to Fotografiska New York, the U.S. branch of the Swedish photography museum. He wanted to check out an exhibition of the work of Terry O’Neill, the British lensman who assisted in the birth of rock photography, in the early sixties. Helders carried his digital Leica.
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