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Jonathan Binzen

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  • 2 months ago | finewoodworking.com | Jonathan Binzen |Kaitlyn Hayes

    -From Fine Woodworking #276Growing up, Ben Strear was enthralled by a book on the artist M.C. Escher and his interlocking, seemingly infinite patterns. Intricate patterns remain an obsession with Strear, and his carved and painted basswood pieces strive to fuse pattern with form.

  • Dec 4, 2024 | finewoodworking.com | Jonathan Binzen |Ben Strano

    At the end of September, when Hurricane Helene charged up from the Gulf of Mexico and dropped 14 to 30 in. of rain on Asheville and environs, engorging the French Broad River and generating floodwaters that ripped through western North Carolina, many of those in the way were woodworkers. One of them was Mike Warnock, a longtime maker who had quit his job a month before to go full-time as a solo builder of custom kitchens.

  • Nov 20, 2024 | finewoodworking.com | Jonathan Binzen |Erika Ericson

    From boyhood Marc Ricourt was fascinated by both woodwork and art. But after training and working as a carpenter for some years and then attending art school, he found himself unsurevwhat he would do. A book byRichard Raffan taught him how to turn, and gradually his passions for art and handwork began to merge. Ricourt harvests beech and oak trees for his vessels from the hilly, forested land around the village where he lives in Burgundy, France.

  • Aug 16, 2024 | finewoodworking.com | Brian Reid |Jonathan Binzen |Ben Strano

    After studying woodworking in the mid-1990s at Parnham College, in Dorset, England, Brian Reid returned home to Seattle with a gift from his teacher, Robert Ingham: a stack of planks from a flitch-cut yew tree. In the ensuing years Reid built furniture in Washington, then Colorado, and now in Maine, yet never touched the yew. “I carried that log through 10 moves,” Reid says.

  • Feb 26, 2024 | finewoodworking.com | Jonathan Binzen |Ben Strano

    When Kieran Kinsella chainsaws a 2-ft. length off a log, rolls it into his shop, and hoists it with a gantry crane up onto his lathe, he’s thinking, “What can I get out of you? Let’s see what’s hiding in here.” Soon enough, he gets an answer in one of his curved or faceted stump pieces, stools and tables made with green wood harvested within a few miles of his home in New York’s Hudson River Valley.

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