Jordan Raup
Editor-in-Chief at The Film Stage
marketing: @filmlinc / @thenyff / @ndnf | founder & editor: @thefilmstage
Articles
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6 days ago |
thefilmstage.com | Jordan Raup
The most essential, vital documentary of the last year, Basel Adra, Hamdan Ballal, Yuval Abraham, and Rachel Szor’s No Other Land, is now finally available to watch at home for a limited time. The Indie Film Site Network Advocate Award winner and Academy Award Best Documentary winner from the Palestinian-Israeli collective takes an intimate, harrowing look at the day-to-day destruction and violence inflicted on Palestinian lives in the West Bank.
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6 days ago |
thefilmstage.com | Jordan Raup
His first narrative feature in six years, featuring footage collected over some two decades, Jia Zhangke’s Caught by the Tides is one of the filmmaker’s greatest achievements. A summative piece in a career-spanning project of capturing China’s transformation, the Cannes, TIFF, and NYFF selection will now arrive in U.S. theaters beginning May 9 from Janus Films and Sideshow. Ahead of the release, the new trailer and poster have arrived.
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6 days ago |
thefilmstage.com | Jordan Raup
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. Benediction (Terence Davies)Time is everything in a Terence Davies film. In Benediction, his biopic about English poet Siegfried Sassoon (Jack Lowden), he eventually covers his subject’s marriage to Hester Gatty (Kate Phillips).
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1 week ago |
thefilmstage.com | Jordan Raup
We’re delighted to exclusively announce that KimStim has acquired all North American rights to the Quay Brothers’ Sanatorium Under the Sign of the Hourglass.A stop-motion/live-action masterpiece inspired by the works of Jewish-Polish author and artist Bruno Schulz, this personal passion project is their first feature since 2005’s The Piano Tuner of Earthquakes. KimStim plans to release the film theatrically later this year.
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1 week ago |
thefilmstage.com | Jordan Raup
Following last week’s unveiling of the Cannes 2025 lineup, the first sidebar slate has been unveiled with the Cannes Critics’ Week lineup. Particularly of note is the Opening Night film, Laura Wandel’s Playground follow-up Adam’s Interest starring Anamaria Vartolomei and Léa Drucker, as well as Shih-Ching Tsou’s Left-Handed Girl, co-wrote and edited by Sean Baker, and Pauline Loquès’ Théodore Pellerin-led Nino.
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RT @djmecca: I am unreasonably excited for this.
Jia is returning to @FilmLinc to present one of the very best films of the year, decade, etc. Don't miss it!
We're excited to announce that 👑 director Jia Zhangke will be joining us in-person for sneak previews of CAUGHT BY THE TIDES on May 4, 5, & 6! The film will then open for a traditional theatrical run beginning May 9! 🎟️ are now on sale: https://t.co/vapoUExmZV https://t.co/mFjxKLdQIf
RT @Nick_Newman: I interviewed David Cronenberg about his highly estimable new film The Shrouds: https://t.co/LZp5GosK1N https://t.co/9Ishs…
