Joshua Sharpe's profile photo

Joshua Sharpe

Detroit

Investigative reporter. Wrote THE MAN NO ONE BELIEVED (WW Norton, summer 2025). Knight-Wallace Feller, 23-24. Ex: @AJC, @sfchronicle. Livingston Award winner.

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Articles

  • Jul 23, 2024 | broadwayworld.com | Nicole Rosky |Joshua Sharpe |Bruce Glikas |Josh Sharpe

    Rise and shine, BroadwayWorld! It is July 23, 2024 and it's time to catch up on all of the theatrical happenings you may have missed in the last 24 hours: But first...

  • May 6, 2024 | josh-sharpe.com | Joshua Sharpe

    As a genre, documentaries are one of the most limitless and wide-ranging kinds of film. They can center on just about anything, of course, and how they are told can also vary considerably. The Girl Who Wore Freedom is an example of a documentary that leads with its heart. Or, more specifically, the heart of director and narrator Christian Taylor.

  • Mar 26, 2024 | broadwayworld.com | Joshua Sharpe

    Enter Your Email to Unlock This ArticlePlus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. Email:Existing user? Just click login. Disney's Aladdin on Broadway will celebrate 10 years of performing the show at the New Amsterdam Theatre on Good Morning America this week. On Friday, March 29, the cast of the Broadway musical will join GMA for a celebration and to discuss the show as it celebrates its 10th anniversary.

  • Jan 21, 2024 | josh-sharpe.com | Joshua Sharpe

    Greetings, and Happy New Year! I wanted to take a few minutes to provide a short update as to what I have been doing this past month. Firstly, I wrote a piece (published on Christmas Day) for TheaterMania about the theatrical history of Wonka to tie in with the release of the new film with Timothée Chalamet.

  • Nov 12, 2023 | josh-sharpe.com | Joshua Sharpe

    Earlier this month, The New York Times published an article proposing this question: “Are ‘Elf’ and ‘Love Actually’ the Last Holiday Classics We’ll Ever Get?”It’s an apt one, considering we get a plethora of new Christmas content yearly and most of it disappears from memory faster than a wet snow does on the ground. In the piece, author Esther Zuckerman argues that some of this has to do with the changing medium and how our content is delivered now via streaming than anything else.

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