Articles

  • Sep 24, 2024 | plough.com | Joy Clarkson

    Literary wisdom has it that comedies end in marriage, and tragedies in death. By this measure, the musical Fiddler on the Roof, which premiered on Broadway sixty years ago this past Sunday, on September 22, 1964, is a comedy. Based on the collection of Yiddish short stories Tevye and His Daughters (1905), the musical follows the life and troubles of the pious milkman Tevye, made iconic by Topol’s portrayal in the 1971 film version, in the fictional town of Anatevka.

  • Sep 16, 2024 | plough.com | Joy Clarkson

    For an author who has lived in Minnesota his entire life, Leif Enger takes a keen interest in stories of exile. He made a splash with his debut novel, Peace Like a River (2001), which sold over one million copies. The story follows a miracle-working janitor and two of his young children (one beset with asthma) fleeing the law and pursuing his oldest son.

  • Apr 16, 2024 | plough.com | Joy Clarkson |Susannah Black Roberts

    Joy Clarkson discusses her new book, and the importance of metaphor. Why are metaphors important? How can they help us live well – and how can they go wrong? Why should we not think of ourselves as computers? And what does all this mean for our language about God?

  • Feb 26, 2024 | plough.com | Joy Clarkson

    I had moved house at least once a year for seven years straight. It is simply the way of life during higher education, the path I chose in my early twenties. When the short years of an undergraduate degree expire, one is sent into a seemingly endless game of musical chairs; if you’re not moving for a new degree or a new short-term job, you’re moving to find a cheaper place to live or a better roommate, or simply bending yourself to the will of campus housing.

  • Feb 20, 2024 | bookshop.org | Joy Clarkson

    In a world dominated by technology and efficiency, we speak of ourselves as computers: we process things, we recharge. But theologian and podcaster Joy Marie Clarkson suggests that people are more tree than computer. Pushing back against the impersonal way of viewing ourselves and the world, this book examines how metaphorical descriptions of our life and experiences shape the way we think, pray, and live.