
Judy Berman
Senior Correspondent at TIME
TV critic @ TIME // @timemagunion // glam rock anachronist // i'm just looking for one (1) divine hammer
Articles
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1 week ago |
yahoo.com | Judy Berman
Nathan Fielder is kind of spooky. From the meta corporate satire of “Dumb Starbucks,” an ingenious viral stunt from his mid-2010s Comedy Central show Nathan for You, to the passive house as mirror for the soul in his first narrative series, Showtime’s The Curse, Fielder has a sixth sense for finding the right absurd metaphor to fit every moment.
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1 week ago |
time.com | Judy Berman
Nathan Fielder is kind of spooky. From the meta corporate satire of “Dumb Starbucks,” an ingenious viral stunt from his mid-2010s Comedy Central show Nathan for You, to the passive house as mirror for the soul in his first narrative series, Showtime’s The Curse, Fielder has a sixth sense for finding the right absurd metaphor to fit every moment.
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1 week ago |
yahoo.com | Judy Berman
In Thursday’s Season 1 finale of the Max medical drama The Pitt, as the emergency room returns to its normal state of semi-controlled chaos after receiving over 100 victims of a mass shooting, staffers keep telling each other to go home already. But most linger. Everyone is, of course, exhausted. The day shift has been working for 15 hours. A resident tells an intern she’s running on adrenaline and bound to crash. “This job can’t be your life,” one doctor says to another.
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1 week ago |
time.com | Judy Berman
In Thursday’s Season 1 finale of the Max medical drama The Pitt, as the emergency room returns to its normal state of semi-controlled chaos after receiving over 100 victims of a mass shooting, staffers keep telling each other to go home already. But most linger. Everyone is, of course, exhausted. The day shift has been working for 15 hours. A resident tells an intern she’s running on adrenaline and bound to crash. “This job can’t be your life,” one doctor says to another.
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2 weeks ago |
time.com | Judy Berman
The seventh season of Black Mirror is, relatively speaking, quite good. I say this as a longtime skeptic of creator Charlie Brooker’s high-tech Twilight Zone—an anthology series that, in my estimation, has produced more emotionally manipulative nightmare fuel than trenchant insight into where all these so-called innovations are leading us. But the show has been on an upswing since veering into camp with its fifth season, a three-episode nadir that produced not a single compelling story.
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