Articles

  • 1 month ago | thespectator.com | Julian Spalding |Adrian Brune |William Newton |Ian Sansom

    There’s more than a grain of truth in the popular caricature of a curator as a mother hen clucking frantically if anyone gets too near her nest — not that her eggs are about to hatch, let alone run. The recent threat of the British Council to “deaccession” — to put it more bluntly, sell — its 9,000-piece-strong collection of British art has caused a predictable flurry in the curatorial world.

  • May 8, 2024 | spectator.com.au | Julian Spalding

    Nobody claims Beryl Cook was an artistic genius, least of all the artist herself. ‘I think my work lies somewhere between Donald McGill [the saucy postcard artist that George Orwell wrote so lyrically about] and Stanley Spencer,’ she once told me. ‘But I’m sorry to say I’m probably nearer McGill.

  • May 8, 2024 | spectator.co.uk | Julian Spalding

    Text size Line Spacing Comments Share Share Julian Spalding The brilliance of Beryl Cook Linkedin Messenger Email Weekly delivery of the magazine Unlimited access to our website and app Enjoy Spectator newsletters and podcasts Explore our online archive, going back to 1828...

  • Dec 4, 2023 | museumsassociation.org | Julian Spalding

    Levelling up – a UK Government programme to create opportunities for everyone across the UK – is a worthy aspiration. But the government hasn’t yet realised that it’s got in the national museums collections a goldmine to help realise this ambition. I spent my professional life in the so-called “regions” – first in Leicester then Durham, and eventually as director of galleries in Sheffield, Manchester and the vast museum service in Glasgow.

  • Nov 1, 2023 | literaryreview.co.uk | Richard Dorment |Julian Spalding

    These are two very different books, and each shines a light on different aspects of the art world. One focuses on a single case in which the author was tangentially involved from the beginning; it reveals much about the power of money in the art world, as well as its opacity and deceptions.

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