
Kathryn Vanarendonk
TV Staff Writer at Vulture
critic @vulture, child wrangler. kathryn.vanarendonk @ https://t.co/6LbuHJVbFk - i'm hanging out more at bsky lately
Articles
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6 days ago |
vulture.com | Kathryn Vanarendonk
The mystique of Judy Blume’s 1975 novel Forever … lies in its frankness. Her depiction of two teens who fall in love and go on ski trips and slowly, gradually work their way from kissing to hand jobs and intercourse and orgasms hits at a precise, paradoxical point of what’s most shocking about teenage life: It is full of taboos, yet all those taboos are being broken all the time.
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3 weeks ago |
vulture.com | Roxana Hadadi |Kathryn Vanarendonk |Joe Reid |Katie Heaney
When The Last of Us came out for the PlayStation 3 in 2013, critics and gamers alike hailed it as a new achievement for video games as a medium, praising not just the gameplay but its complex story that was closer to what you might expect from prestige TV than most games at the time. Now, a decade later, Chernobyl showrunner Craig Mazin and Neil Druckmann, creator of the game, have closed the loop, turning the game into a series for HBO.
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3 weeks ago |
vulture.com | Joe Adalian |Kathryn Vanarendonk
Last year — more than a decade after Netflix’s first binge-drop series, House of Cards, established a new mode of TV consumption, and with popular weekly release series such as Shōgun and Hacks on our minds — we started to wonder about the preferences that were settling in with modern TV viewers. Had the on-demand appeal of streaming’s binge releases achieved primacy? Was the traditional weekly rollout enjoying a cultural resurgence?
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1 month ago |
vulture.com | Kathryn Vanarendonk
Sometimes you nearly forget this exercise in crisis management was a wild miscalculation. At the conclusion of the eight-episode season of The Baldwins, the mind turns to contemplate what it just experienced. It is challenging — not because there’s nothing to reflect on, but because watching the full season of The Baldwins feels like entering a Hamptons-themed pinball machine.
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1 month ago |
vulture.com | Kathryn Vanarendonk
As The Pitt shuts down season one, the next shift is taking shape for creator R. Scott Gemmill. “Fifteen episodes of our show is like 24 episodes of a regular season of television,” says The Pitt’s creator and showrunner, R. Scott Gemmill. “Fifteen episodes of our show is like 24 episodes of a regular season of television,” says The Pitt’s creator and showrunner, R. Scott Gemmill. The finale of The Pitt feels like an exhale.
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Did Severance Just Have the BEST Bottle Episode EVER? Season 2 Episode 4 Was AWESOME! https://t.co/k2BOS6izjt

RT @e_alexjung: yes: https://t.co/dyTJ7CNWTC

fine, here are thoughts about the yellowstone finale https://t.co/qKQoFMaKdk