
Kathryn Vanarendonk
TV Staff Writer at Vulture
critic @vulture, child wrangler. kathryn.vanarendonk @ https://t.co/6LbuHJVbFk - i'm hanging out more at bsky lately
Articles
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2 weeks ago |
vulture.com | Kathryn Vanarendonk
The most striking thing about Jerrod Carmichael’s new special, Don’t Be Gay, is how much it resembles a familiar, run-of-the-mill comedy special. He has made a standard hourlong special before: His 2014 hour, Love at the Store, a relic from a much earlier place in both his career and his public persona, looks and sounds like the competent, does-the-job Funny or Die production that it is. But since then, Carmichael’s work has been distinguished by his investment in messing with the form.
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2 weeks ago |
vulture.com | Kathryn Vanarendonk
Spoilers ahead for the entirety of season two of The Secret Lives of Mormon Wives, including the finale. Let it never again be said that reality shows need alcohol to be absolutely, unreservedly out of control.
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2 weeks ago |
vulture.com | Joe Reid |Kathryn Vanarendonk
Keeping pace with Hollywood’s perpetual awards horserace. Sign up for the newsletter here. From left: Lashana Lynch in The Day of the Jackal, Diego Luna in Andor, Keira Knightley in Black Doves. In all the years of the Emmys, only two shows about espionage have ever won the Outstanding Drama Series award: Mission: Impossible in 1967 and 1968 (it was the 1960s) and Homeland in 2012 (we’d just killed Bin Laden).
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3 weeks ago |
vulture.com | Kathryn Vanarendonk
Murderbot, Apple TV+’s new adaptation of Martha Wells’s science-fiction book series, teeters on the margins of greatness. A story about a security cyborg with violent capabilities that’s learned how to be human by hacking its control chip and binging bad TV, Murderbot the TV series gets more right than it gets wrong. It pokes at all the most interesting questions about its world and its protagonist. How human can Alexander Skarsgård’s Murderbot be, and should it even want to be human?
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3 weeks ago |
vulture.com | Kathryn Vanarendonk
Andor creator Tony Gilroy reflects on five years inside the Star Wars universe. “I wanted some element of hope. I wanted to have something legitimately positive and forward. My own personal worldview, in the end, is really not that dark.” “I wanted some element of hope. I wanted to have something legitimately positive and forward.
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